I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."
[Jane] Roe has made it not only possible, but has found it constitutional to kill a whole class of people, simply because of their genetic make-up.
A few times a year I'll remember that I love old literature, too. Charlotte Brontë's "Jane Eyre" is one of my 10 favorite books. I have to go out of my way to remember to pick up a book like that, but when I do I'm blown away by how very relevant it still is.
The original pilot script [ of "Mary and Jane"], we literally just wrote for fun. It was, let's just do this.
I don't think we had a hard time with ["Mary and Jane"]. It is just, it was the constant management of it.
The one thing that we wanted to make sure in the pilot [of "Mary and Jane"] is that we could go everywhere. Part of the fun of them being a delivery service is that they go to different areas episode to episode. We do have an episode in the beach and there is an episode in the luxury rehab. It's all different kinds of things we are making fun of in LA.
It is just fun to play with [in "Mary and Jane"]. I think our sense of humor tends to go that way.
We ["Mary and Jane"] did not want to be a weed show, like it is a bunch of people sitting around smoking.
I grew up in the '50s and '60s when Jack Kennedy was president. We would watch him on television. And our teachers always talked about the good things public servants could do. I thought maybe that's something I should do. So when I got out of law school, my wife, Jane, and I became precinct captains.
Part of being a sentient human is the ability to anticipate others' mental states - to say "Fred's going to hate this but Jane would love it."
When I came to England it wasn't what it is now, then the black people were very rarely strong. I had a personal shock because England wasn't what I expected it to be... where people lived like Jane Austen.
[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
Think of anybody - Dostoevsky or Jane Austen - [their work] was always something that now we would call political. So I don't see those separations too much, between what is artistic and what is political. Maybe in painting... no, I don't even believe that.
I don't want to call the show [ "Mary and Jane" ] a satire because it is not, but there are satirical elements.
When Lollapalooza started, and I was really into Red Hot Chili Peppers and Jane's Addiction, Soundgarden. I went to that Lollapalooza tour twice, I think.
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
Jane Goodall is my idol and someone I have always looked up to for the amazing work she has done with chimpanzees. She has transcended animal welfare as the voice for the voiceless and has changed many people's views about how they think and treat not only chimps but all of the amazing animals we share this planet with.
Growing up, it was difficult to find role models I could relate too. Mass media told me to emulate sexy singers or sexy actresses. Jane Goodall was the closest thing I found to a woman I wanted to be like.
Jane Austin was a complete and most sensible lady, but a very incomplete and rather insensible (not senseless) woman. If this is heresy, I cannot help it.
Without those forerunners, Jane Austen and the Brontes and George Eliot could no more have written than Shakespeare could have written without Marlowe, or Marlowe without Chaucer, or Chaucer without those forgotten poets who paved the ways and tamed the natural savagery of the tongue. For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
I would love to do a sweeping romantic period drama, like Jane Eyre. That would be my dream. It's always been my dream, as far as acting.
I nearly died three times in 2008, and when you go through those experiences, you realize that you're blessed every day that you wake up. My world changed, my life changed, and with the help of my wife Jane, I was able to survive.
I boast of being the only man in London who has been bombed off a lavatory seat while reading Jane Austen. She went into the bath; I went through the door.
The system - the American one, at least - is a vast and noble experiment. It has been polestar and exemplar for other nations. But from kindergarten until she graduates from college the girl is treated in it exactly like her brothers. She studies the same subjects, becomes proficient at the same sports. Oh, it is a magnificent lore she learns, education for the mind beyond anything Jane Austen or Saint Theresa or even Mrs. Pankhurst ever dreamed. It is truly Utopian. But Utopia was never meant to exist on this disheveled planet.
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