President Obama is sending troops back to Iraq. He said, 'Don't worry, we should not be there any longer than a Kardashian marriage.'
President Obama is sending a couple hundred troops to Iraq. We spent six years trying to figure a way to get out of Iraq. And now we're back. But this time there is an exit strategy. Barack Obama has an exit strategy. In 2016, he's gone.
The irony is that what was supposed to be a great vulnerability of Hillary Clinton , which the Iraq war vote which she has acknowledged was a terrible mistake, has lent an aura of strength in a funny way.
The problem is that Iran has been identified as a dangerous enemy, and the longer the media forwards that proposition - and the media is guilty, just as it was in the Iraq war - then the easier it becomes for Americans to accept that we might just have to resort to military force to remove any Iranian threat.
Wars always evolve over time, don't they? Iraq/Afghanistan is different than Vietnam, and Vietnam was different than Korea, and Korea was different than World War One, and so on. Some things remain the same, of course - one side fighting another over ideology or a patch of ground - but there are some aspects of combat life which differ radically than their predecessors.
There is no more "front" and "rear" where Fobbit-types would go to hide out in safer locations. In Iraq and Afghanistan, you engaged in a theater of operations that's 360 degrees at all times.
The modern wars are also omnipresent in our electronic media - to be cynical about it, we now have 24 hours of non-stop bloodshed available to us. The internet and real-time media reporting were integrated into daily life in Iraq.
It's disingenous for me to say that I wasn't trying to write a moral novel. By its very nature as a novel about the Iraq War, Fobbit steps into the political conversation. There's no way to avoid that. I can appreciate that readers are probably going to line up on one side of the novel or the other. I hope they go to those polar extremes, actually.
Marine and Army women have deployed with infantry units in Iraq and Afghanistan in what's called female engagement teams, going into villages, talking with women and sometimes coming under fire.
I feel like I partly came to writing through being in college during the start of the Iraq war, and knowing that those issues mattered lot to me, and wanting to go see for myself.
I can't imagine how Afghanistan's fall isn't going to be ten times faster than Iraq's.
I think the big turning moment was when I joined the student political action club and started studying nonviolent civil disobedience in response to the Iraq War. The first anti-Bush protest in Atlanta was the first protest that I'd ever been to, and I helped organize the school walkout when I was a junior. It was a really solidifying moment.
The Iran-Iraq war began the same year that I went to primary school, at the age of six.
In trying to imagine this world, I kept coming back to Michel Aflaq. He's a Christian Arab, a Syrian, who ends up finding his home in Iraq and is buried there - I was stunned to see his tomb is right smack down in the Green Zone.
The corruption in Iraq has nothing to do with ideas - it has to do with the regime and institutional structures and power.
We like to look out on the world and see ourselves, so we have many, many novels, memoirs, and short stories in Iraq that are largely about Americans in Iraq, doing what Americans do.
There's no violence worse than the violence of Iraq. For the last fifty years Iraq has been living a nightmare of violence and terror. It's been a horrible experience and people in Iraq will need a lot of time and work to get over the disastrous effects. But first we have to think about how to stop the violence, so that the bloodshed stops. In spite of everything, on the personal level I don't easily lose hope.
We in Iraq have not descended from another planet. Just as people in many other countries have gotten over the tragedy of war, Iraq will get over its ordeal.
I didn't start publishing literary texts until I had left Iraq. At the Academy [of Cinematic Arts] I was busy with short films.
It's ridiculous and painful to use the Arabic of an Iraqi poet who lived centuries ago to describe what we in Iraq are suffering today.
How can one talk in a classical language about a child who's torn apart in an explosion in the market near his school? People in Iraq don't talk about their joys, their problems, and the destruction of the country in literary diction.
While I was studying film at the Academy, the problems started. I wasn't a political activist directly in the time of Saddam [Hussein], because the dictator was so cruel and brutal that no one could criticize or complain. I felt futile and empty. The only solution in Iraq was to run away.
I studied at the Academy during the years of economic sanctions. Life was almost dead because the sanctions imposed on Iraq by the civilized world were so strict.
From 2001 to 2012 at least 6,410 women were murdered by an intimate partner using a gun. That`s more than the number of U.S. troops killed in action in the wars in Iraq and Afghanistan combined.
The students often like to talk about movies that they feel are Orientalist like 300 or Babel. They talk a lot about the possibility of U.S. aggression against Iran and the Iranian hostages being held by the U.S. in Iraq.
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