I myself got married at a very young age. It has always intrigued me because marriage is very synthetic in an otherwise natural world.
You know, I think I was always intrigued by theater since I was a small child.
The first time I thought about attempting a body suspension was after watching a documentary on rites-of-passage ceremonies from other cultures. I was completely intrigued by what these people put their bodies through.
I preach with the hope that whoever is inspired, encouraged, intrigued, curious by my life on any level, whether it be parents saying they showed my video to their kids because they were complaining. It is the hope that that parent will go a bit deeper and know that ultimately Nick actually puts his hope into something bigger than himself. He puts it in Jesus Christ.
Most people - and particularly people whose lives have nothing to do with books at all - are intrigued by the idea that somebody wants to listen to them and get it right.
I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
I have found myself deeply, deeply intrigued by the ska-punk scene. It's such an expressive form of popular music, it's so real, it's got so much life: it's the most vital music in the world.
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
I am intrigued with scriptural mythology that tells us that God created a divine feminine presence to dwell amongst humanity. This concept has had a constant influence on the work. I have imagined her as ubiquitous, watchful, and often in motion. This work is, in effect, the photographic image of the invisible.
I think cults never stop being interesting and I'm intrigued by how we all do a tiny bit of submitting to a larger group - and how they can sneak up on you.
Most men love women. Most men are intrigued and bedeviled by them. Most men spend their lives dreaming about women. It's the most natural, normal thing in the world to do, but here comes the left and the Democrat Party trying to politicize even male-female relationships by inculcating into them things like feminism, proper political behavior.
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
To me, the stories that have always intrigued me are the stories of people leaving my movies and being affected by them. They walk home 20 blocks the wrong way. Or they lock themselves in their office. Or they find themselves weeping when in the shower after the film. And those intrigue me, because I know I've touched something inside them.
I'm just as intrigued by acting as ever. It's an ongoing process. There's no arrival. There's no point at which you say "Oh, OK, done it, got it." It just doesn't happen. And that's true of any creative endeavor. For me, it's just a lifelong interest. I'm very much interested in the craft. I started by doing plays and it took me a long time to feel comfortable doing movies, working with cameras. I felt like I was a theater actress pretending that I was a movie actress for quite a while. Now, I just love the process of working with cameras and being on a set and trying to put a film together.
I think leaders lead themselves, but leaders have ideas and maybe they're visionary ideas. Probably today, people would say Steve Jobs was a visionary because he invented this little gadget, the cell phone. But he didn't invent cell phones, and he didn't design the cell phone. He just took a couple of ideas and put them together, and no one else put those same ideas together as successfully as he did. But he had something that he was trying to do that intrigued him, and he could do it very well.
I'm intrigued that the same letters from the alphabet are used in the word silent and in the word listen. Perhaps it's evidence that the most important part of listening involves remaining silent.
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
I've always been so intrigued by French language and how it completely changes you, because of cultural context, because of humor.
I use the music almost as a compass in some kind of quasi-romantic way. I try and go to places that I'm intrigued by, and I take this music with me, using my name at the front.
Incidentally, I am intrigued by how many European and Latin American writers expressed their political views in the columns they routinely wrote or write in the popular press, like Saramago, Vargas Llosa, and Eco. This strikes me as one way of avoiding opinionated fiction, and allowing your imagination a broader latitude. Similarly, fiction writers from places like India and Pakistan are commonly expected to provide primers to their country's histories and present-day conflicts. But we haven't had that tradition in Anglo-America.
I hate seeing people getting hurt or hurting other people. I hate seeing blood. I am very intolerant of physical pain. I find violence horrifying, so much so that I can't help being intrigued by it.
[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.
We're all intrigued, in our civilized world that we live in, and curious about how we would get on, on an undiscovered island that is untouched by man.
Like every young man growing up in the puritanical Eisenhower 1950s, I had a hell of a time getting laid. I suppose that's why I was always intrigued by, and terribly envious of men who had no trouble at all in bedding a vast variety of desirable women.
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