When I was writing this new bunch of songs, I was singing a lot lower, because they were more intimate in a way. I had to come up with a way to frame the music that was intimate.
We have states that are throwing away the DNA of rapists. How can a woman be so inconsequential, that we as a nation aren't standing up and doing something about this intimate, violent act?
People make fun of cybersex, but it's really something to take into account: it is a drama, a split of the human being! The human being can now be changed into some kind of spectrum or ghost who has sex at a distance. That is really scary because what used to be the most intimate and the most important relationship to reality is being split. This is no simulation but the coexistence of two separate worlds.
If Martin Luther King looked at the Obama administration and saw an intimate connection with Wall Street, he'd be very critical. If he saw drones being dropped on innocent people, he'd be very critical. If he saw rights and liberties violated by secret policies of the government, of the kind we've seen by the National Security Agency, he'd be very critical.
I don't go for the so-called "intimate" stuff. Column items that report: "Minerva Ferncroft sleeps in pink dusting powder between puce-colored sheets in a heart-shaped bed." It leaves me cold.
Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process.
Even though I'm not actually performing in the works, I love the theatrical and have this fan relationship to showbiz. And one of the things that's a disappointment to me about art is that it's always a memory of something that happened. So I try to get as intimate or as real as possible.
When I was young, I was very technical about these things. I didn't like to admit to any intimate relation with what I was writing.
In the movie [Everybody Loves Somebody], the sister tells my character, "No, don't you want to be with someone?" I think the family - especially in this movie - they know that the reason that Clara doesn't want to have an emotional, intimate relationship is more because she was hurt so badly from heartbreak that she's then being closed off and cynical.
You win an Oscar, and immediately people ask how you feel. So you don't have time to actually feel anything because you have to generate a response. And then some of the feelings you have are so intimate and visceral, words don't really do them justice.
People are judged continuously everywhere on the most intimate level by the prices on their head. Most of them accept the judgment. It's very hard to have self-respect, or to maintain a state of creativity under these conditions.
Things in the ring are definitely bigger, so that you can see them. But the movie world is completely different, and you have to hone things down because when that camera is so tight on you and so intimate and right up in your face, it's going to catch every little thing that you give it, and it's very easy to overdo it.
I think you can maintain two tracks. I think you have to. That's what this kind of filmmaking is about. If you're not aware of the limitations of what you're up against... it's like a general: you have to know your artillery and you have to know your infantry. You have to know what you have. You have to marshal your forces and use them well. It comes down to the personal and the intimate, but at the same time you have to have the big picture.
Women become breadwinners, men become caregivers. That's the birth of intimate marriage.
The easier sex gets, the less intimate every sexual act gets. In the Victorian period, a kiss was like a f - k. And now, you know, when actual sexual acts become so easy, their intimacy declines and their meaning declines.
A particular type of film emerged from World War Two, with the Italian neorealist school. It was perfectly right for its time, which was as exceptional as the reality around us. Our major interest focused on that and on how we could relate to it. Later, when the situation normalized and post-war life returned to what it had been in peacetime, it became important to see the intimate, interior consequences of all that had happened.
I think the most special thing about the chemistry is the intimate understanding of how to make each other laugh. At the end of the day, in order to portray a genuine relationship on camera, that's one of the most fundamental things that has to occur.
For most progressives, what happens in families is a matter of "just" women's issues and children's issues. So progressive movements have focused primarily on dismantling the top of the dominator pyramid (politics and economics) and left its foundations (domination in family, gender, and other intimate relations) in place.
When I read to children, I try to become the characters. It's great if you can make a separate voice for each character. Sometimes you can lower your voice with excitement or get more intimate about it: you can lean forward and engage the children as a narrator or as a reader. It's particularly important that you find the voice that you want to use for each character, because then children can imagine that person as you're reading aloud. And of course, the illustrations help enormously.
The difference between our collective generation and your generation (differentiating the reporters from the students) is that we poured our souls out on paper that got easily yellowed and lost. The danger is that many of your friends (nodding at the students) are putting intimate ideas in cyberspace journals. So when today's 15-year-old is 40, some friend is going to drag out all of that idiotic stuff at their class reunion.
I would love to go to smaller places in the UK such as Manchester and Liverpool and play there. It's much more intimate; you got to get down and gritty, getting closer to the people.
My intimate knowledge of the [UN] system allowed me to get things done despite the many obstacles.
If you can hold the tension of opposite points of view in your intimate relationships with people, instead of making somebody right and somebody wrong, you are really taking an evolutionary step.
I've always seen making movies as a bunch of little births and deaths. We come in. We don't know anybody or very few people that we work with, but the nature of the job pulls us into a sort of an intimate kind of relationship and communication and then they're gone and it's kind of melancholy. You miss that guy but then suddenly you're working with him again maybe somewhere.
I think tension between the intimate and the vast is at the heart of every poem by any poet, though of course the terms with which it is explored vary. Perhaps it is something we seek out in order to affirm that our small lives are tethered to something large and ongoing.
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