Tracy K. Smith Quotes

• So much of my poetry begins with something that I can describe in visual terms, so thinking about distance, thinking about how life begins and what might be watching us.

  Tracy K. Smith

  Distance, Thinking, Might

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• I think tension between the intimate and the vast is at the heart of every poem by any poet, though of course the terms with which it is explored vary. Perhaps it is something we seek out in order to affirm that our small lives are tethered to something large and ongoing.

  Tracy K. Smith

  Heart, Thinking, Order

  Source: www.guernicamag.com

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• Often it is a moment rather than an event that makes a poem.

  Tracy K. Smith

  Poetry, Events, Moments

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• For me, a poem is an opportunity to kind of interrogate myself a little bit.

  Tracy K. Smith

  Opportunity, Littles, Kind

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• Everything that disappears/Disappears as if returning somewhere

  Tracy K. Smith

  Disappear, Ifs

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• time never stops, but does it end? and how many livesbefore take-off, before we find ourselves beyond ourselves, all glam-glow, all twinkle and gold?

  Tracy K. Smith

  Gold, Doe, Ends

  Tracy K. Smith, “Don't You Wonder, Sometimes?”

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• Once I started writing all the time and interacting with poets, I made a conscious decision to identify myself as a poet. It's funny how much a single word can provide focus and direction. As soon as I claimed that identity, I started clearing more and more space for poetry in my life and applying poetic tools to other areas of my life. The world became a different place, and I witnessed it through different kinds of eyes.

  Tracy K. Smith

  Eye, Writing, Space

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• Joy is a part of my process. In fact, I'd go so far as to say that poetry, as a practice, necessitates a sense of joy. It's exhilarating to come into contact with the things we write into being. And a real sense of play and abandon – even when we are relying on hard-won technique, and even when the aim is deadly serious. How often do we get the excuse to stop, think, and then stop thinking altogether and try to listen to what sits behind our outside of our thoughts? Poets are lucky.

  Tracy K. Smith

  Real, Writing, Thinking

  "Interview with Tracy K. Smith – 'Poets are Lucky'". Interview with Michael Klein, blog.pshares.org. May 30, 2012.

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• We are here for what amounts to a few/hours,/a day at most./We feel around making sense of the terrain,/our own new limbs,/Bumping up against a herd of bodies/until one becomes home./Moments sweep past. The grass bends/then learns again to stand.

  Tracy K. Smith

  Home, Past, Body

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• I've been beating my head all day long on the same six lines.

  Tracy K. Smith

  Long, Lines, Six

  "Alternate Take: Levon Helm" by Tracy K. Smith, www.newyorker.com. September 21, 2009.

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• I know that in a poem, even when the speaker is speaking from the poet's experience, there's always something that's borrowed, some authority that sits outside of the poet that the poem has claimed. There's a dramatic pitch that makes the speaker capable of saying something more courageous or stranger or simply other than what the poet would be able to say.

  Tracy K. Smith

  Would Be, Able, Courageous

  Source: www.guernicamag.com

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• If I call it pain, and try to touch it With my hands, my own life, It lies still and the music thins, A pulse felt for through garments.

  Tracy K. Smith

  Pain, Lying, Hands

  Tracy K. Smith (2007). “Duende: Poems”, Graywolf Press

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• History, with its hard spine & dog-eared Corners, will be replaced with nuance, Just like the dinosaurs gave way To mounds and mounds of ice.

  Tracy K. Smith

  Dog, Ice, History

  Tracy K. Smith, “Sci-Fi”

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• Keetje Kuipers' poems are daring, formally beautiful and driven by rich imagery and startling ideas.

  Tracy K. Smith

  Beautiful, Ideas, Rich

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• I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.

  Tracy K. Smith

  Thinking, Knowing, Talking

  Source: www.guernicamag.com

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• When I was young, my father was lord Of a small kingdom: a wife, a garden, Kids for whom his word was Word. It took years for my view to harden, To shrink him to human size.

  Tracy K. Smith

  Father, Kids, Garden

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• Lizzie Harris's debut collection, Stop Wanting, crafts images and lines of such arresting splendor that I am very often driven to joy at the feats of beauty and healing that language is capable of bringing into being.

  Tracy K. Smith

  Healing, Joy, Splendor

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• Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more. Like icy adolescents, such poetry is more interested in commiserating than acknowledging that feelings — the sentiments that make us susceptible to sentimentality — actually exist.

  Tracy K. Smith

  Lonely, Smart, Emotional

  "Wipe That Smirk Off Your Poem". www.nytimes.com. March 16, 2015.

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• I grew up in northern California in a town called Fairfield, which is kind of exactly between San Francisco and Sacramento, a small suburb. And I'm the youngest of five children.

  Tracy K. Smith

  Children, California, San Francisco

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• Brooklyn is kind of my writer's retreat.

  Tracy K. Smith

  Brooklyn, Retreat, Kind

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