More than any gift or toy, ornament of tree, let us resolve that this Christmas shall be, like that first Christmas, a celebration of interior treasures.
I'm a sucker for interiors and carefully, beautifully filmed people sitting in a big room. My appetites are simple.
I've always had a fascination with interior design. As a kid, I used to go to real estate open houses with my parents on the weekends. Like a nerd! I would think of how I would piece rooms together at those open houses.
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
There is probably no finer prose writer alive in Britain now, no-one better at making a sentence, no-one better at descriptive writing, no-one who can get so close to the vividness of other peoples interior selves.
There will be no propriety in the spectacle of an elegant interior approached by a low mean entrance.
The Phrygians select a natural hillock, run a trench through the middle of it, dig passages, and extend the interior space as widely as the site admits. Over it they build a pyramidal roof of logs fastened together, and this they cover with reeds and brushwood, heaping up very high mounds of earth above their dwellings. Thus their fashion in houses makes their winters very warm and their summers very cool.
In some ways, a novel isn't as structurally rigorous as a screenplay or a TV show, which have finite real estate. In a novel, you can more deeply illuminate a character's interior and get away with digressions.
You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.
When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what keeps the conversation moving forward.
Katherine Heiny's work does something magical: elevates the mundane so that it has the stakes of a mystery novel, gives women's interior lives the gravity they so richly deserve -- and makes you laugh along the way.
I often laugh and say I should go down to the Department of the Interior and register as an endangered species. I'm a gay man over 60 and I'm alive.
If, in making a portrait, you hope to grasp the interior silence of a willing victim, it's very difficult, but you must somehow position the camera between his shirt and his skin. Whereas with pencil drawing, it is up to the artist to have an interior silence.
The idea that a baby doesn't amount to anything! Why, one baby is just a house and a front yard full by itself. One baby can, furnish more business than you and your whole Interior Department can attend to. He is enterprising, irrepressible, brimful of lawless activities.
God is always present, always available. At whatever moment in which one turns to him the prayer is received, is heard, is authenticated, for it is God who gives our prayer its value and its character, not our interior dispositions, not our fervor, not our lucidity. The prayer which is pronounced for God and accepted by him becomes, by that very fact, a true prayer.
Good writing and dark wit always excite me and they come together thrillingly in this book. It has a quiet grip on the strangeness of the interior and exterior worlds of love and politics. I delighted in the writing and the scope.
Only in eternity shall we see the beauty of the soul, and only then shall we realize what great things were accomplished by interior suffering.
A system of cameras and censors are used along the border and interior to help detect the movement of illegal immigrants crossing through the dense brush.
We have close to us as much as Joseph had at Nazareth; we have our Lord in the Blessed Sacrament, but our poor eyes fail to see Him. Let us once become interior souls and we shall immediately see. In no better way can we enter into the Heart of our Lord than through Saint Joseph. Jesus and Mary are eager to pay the debts which they owe him for his devoted care of them, and their greatest pleasure is to fulfill his least desire. Let him, then, lead you by hand into the interior sanctuary of Jesus Eucharistic.
In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.
I have been collecting pictures of airport carpets since the early 2000s because I am fascinated by their role as the world's largest interior visual design medium.
It's my greatest success. Women did not vote in Italy until 1946. A good friend and I put together a group of women to protest this. I was very young, just a girl. We went to the Viminale [home of the Ministry of the Interior] and spoke to the chair of the ministry board. Thanks to our initiative, we got the bureaucracy rolling on giving women the right to vote. I have to thank my father for this. He was in Geneva at the League of Nations, and women voted there. He thought it was absurd that women didn't vote in his country yet.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
If we could understand the full significance of a woman's hat we could prophesy her clothes for the next year, the interior decoration of the next two years, the architecture of the next ten years, and we would have a fairly accurate notion of the pressures, political, economic and religious that go to make the shape of an age.
One should make movies innocently - the way Adam and Eve named the animals, their first day in the garden. Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.
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