The hardest instruments for women to play are bass and drums. Drums because of the physicality needed and bass just because its heavy and it's not an easy instrument to play.
I believe that the position of the friends of peace is strengthening. The friends of peace are able to work in the open. They base themselves upon the force of public opinion. They have at their disposal such instruments as, for instance, the League of Nations. This is to the advantage of the friends of peace.
Gibson ES 125 was a real instrument, this was in 1956. I started learning; I had a vision of a sound.
When was about 16 or 17, I was living in Beaumont, Texas and Carlos Montoya came to Lamar College. I went to see him and I didn't know what flamenco was. But when I saw him play, I was blown away that one man on one instrument could make all that sound. I'd learned a lot, but that made a big impact. I had intuition for it. In about three years I learned most of what I know now.
One of the things that benefited me that anyone can learn is classical technique. That shows the orchestra that exists within the instrument.
Once you have an equalization instrument in place, as you have in Canada, there arise tremendous bureaucratic values - bureaucratic rent so to speak - in maintaining the system that you have. To shift to a system that paid the transfers directly to individuals, by having differential rates of federal income tax levied to adjust to provincial fiscal capacities, which would be my preference, you would have huge bureaucratic opposition. People would try to protect the rents they have in the current system of institutions.
To put your full belief in your Guru, because it's for your own good, because you've decided that... It's just having a lot of respect for the person and it's like that with music as well...You should love your instrument and respect it.
I love doing shows. I love rocking shows. I love playing instruments. I love singing. If I can find a way to do that and feed my family, then I'm a happy man.
Scripture itself is not systematic; the New Testament shows the greatest variety. God has shown us that he can use any instrument. Balaam's ass, you remember, preached a very effective sermon in the midst of his 'hee-haws.'
What is it precisely, that they are doing when they are doing science. Are they refining their instruments for observation or discovering new aspects of reality?
Unfortunately, I never played an instrument. I can't blame my parents, but I wish I had had music lessons. It's odd because I think I have a good sense of rhythm, as they say in some fields. But I don't know anything about music.
Take Einstein; wasn't he looking for something stable and changeless in this enormous, constantly changing melting pot that is the universe? He sought fixed rules. Today, instead, it would be helpful to find all those rules that show how and why the universe is not fixed - how this dynamism develops and acts. Then maybe we will be able to explain many things, perhaps even art, because the old instruments of judgment, the old aesthetics, are no longer of any use to us - so much so that we no longer know what's beautiful and what isn't.
One thing that concerns me is that today's young women don't seem to care that we have a fundamental instrument of government that makes no express statement about the equal citizenship stature of men and women. They know there are no closed doors anymore, and they may take for granted the rights that they have.
We can reorient science - for example, a kind of medicine much more directed toward the enormous number of women's health problems which are neglected now. But the original givens of this science are the same for men and for women. Women simply have to steal the instrument; they don't have to break it, or try, a priori, to make of it something totally different. Steal it and use it for their own good.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
The architect is very interesting because the architect is the commander, meaning the one who commands all the workers. The architect is also the music director and composer. He cannot play each instrument, but he needs to understand and embody the sense of each part.
I've always been into music that was meshed together - not necessarily wall of sound stuff but music where you get duelling guitars and weird harmonics by putting things together, and you might not even know what's playing - it could be four or five instruments doing the same thing, and it's this strange concoction.
When I was a little kid and I heard a song I liked on TV, I would jump up and run to the piano to try and figure it out by ear. When I was 10 or 11, I built myself a drum kit in the garage made out of empty laundry detergent buckets, old lawn chairs, paint cans, and old trash cans. And around that time, my parents got me my first guitar. A baby acoustic. I jumped between all of these instruments constantly to satisfy the ideas I heard in my head. At this young age, I realized that music would play a huge part in my life.
The university and in a general way, all teaching systems, which appear simply to disseminate knowledge, are made to maintain a certain social class in power; and to exclude the instruments of power of another social class.
Probably it's insufficient to say that behind the governments, behind the apparatus of the State, there is the dominant class; one must locate the point of activity, the places and forms in which its domination is exercised. And because this domination is not simply the expression in political terms of economic exploitation, it is its instrument and, to a large extent, the condition which makes it possible; the suppression of the one is achieved through the exhaustive discernment of the other.
In our case [the United States] it happens to be basically corporate structure. Much of the population is going to be harmed by that. Those policies are designed to turn state power into an instrument that works for the wealthy. Maybe there are some crumbs for the rest of the population, maybe not. But that's given.
Hearing your voice and your instrument kind of breathe in the room, it affects the way you perform the songs. For instance, if you have that reverb, you can give the songs a little more space. You can play them a little slower or you can play less of the guitar part and just let it open up, which I really love. It's so nice to play a listening room, because the audience feels a certain way too.
Instruments of a trade are really fascinating to me. Things that enable you to do your job better. Rehabbing houses is really fun to me. I love taking a space and seeing the potential, gutting it, and putting it back together and I love the tools used to do that.
In the beginning you can think, "The world is like a stage. I am only an actor. God is the director. All are His instruments, all are just actors. He is directing everything." But do not always remain at that level. Move on. Think, "I am the unchanging Atma, not this changing personality and body."
In other words, an instrument should be an extension of you; it's supposed to sound like you - the way you walk, the way you dress, you know.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: