Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more.
I met Kaz in the mid 1980s when we invited him and other artists to the Ojai Foundation with Thich Nhat Hanh. I felt an instant connection with him, and since that time we have collaborated on many projects and have become good friends and allies in the work of nonviolence.
The lifespan of most professional athletes is relatively short, and most have no preparation for doing anything after their career ends, which it could in an instant.
In The United States, the only real change I know has been Instant Runoff, which is usually applied to municipal elections. I see no real improvement. There's another aspect which comes out of the two-party system, which the primary, a funny kind of two-stage election. And people certainly have complained.
When someone is in a state of flow, that person's brain is not thinking about anything - it's just processing things through chunks at a total instinct level. Athletes in a state of flow describe knowing what will happen just before it does - knowing how a defender will react to a certain move an instant before doing it. Of course, if you know what will happen, you can succeed at doing it, so an athlete in flow has a stand-out game.
You never know how [Donald Trump] is going to react. When he learned for example that he'd lost the election by about three million votes, his instant reaction was insanity; you know, three to five million illegal immigrants somehow were organized in some incredible fashion to vote.
I became an instant fan of the show [Underground] seconds into the opening frames of the pilot. When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.
The big change, the really radical change in communication, was in the late 19th century. The shift from sailing ships to telegraph is astronomical. Everything since then has been small increments, including the internet. So you don't have to wait for a letter to get to England in six weeks, you have almost instant communication. That was an enormous shift.
I remember someone said to me, "Beware of instant chemistry with people, because a lot of time it's the recognition of something familiar," and for people who have a habit of getting into unhealthy relationships, that's usually a bad thing.
In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.
I like the Internet as place to get instant gratification: posting a comic online is the quickest way to get attention for your art, but I have been talking to a lot of younger, aspiring cartoonists who very quickly get discouraged if they aren't getting a lot of attention immediately. This can also be aggravated by artists who appear to be really quickly Tumblr-famous, and get lots of notes on their work.
When I go to American cities and speak to American audiences about Karachi, I am able to draw their own wonder and consternation about the cities they live in as an entry point to this other faraway, instant city.
People don't understand that's what it takes. People look at this microwave success, but it takes years. You better be about it, and serious about what it is you're trying to put out into the world. The gratification is not going to be instant. This is the long game. You gotta be focused and you gotta have it in your heart, ultimate confidence, that it's dope. When it hits, it's going to be worth.
We need to realize that we are observers and creators, and in every moment that we are observing our world, we're constantly remaking it at every instant, and that we have to understand too that every last thought we have, every judgment we hold, is having an effect whether it's conscious or not. So of course the most important thing of all is to be aware of what we are thinking and to realize it has an effect on the world around us.
We have this saying, and it's been very useful when a series, 'The Mindy Project' goes for longer than a hundred episodes, which is Mindy character can never get what she wants when she wants it. We enjoyed it because it felt very real to her character to make a big impulsive move and it seems like she has everything, this instant family, a guy she loves and then there's a moment of panic.
Scent is the only sense that bypasses the conscious hypothalamus filter of the brain. It triggers an instant, uncontrollable reaction. I am also a big believer in the power of transformation, and I believe in giving women the tools to become the most beautiful, powerful, and confident versions of themselves. I always say look good, feel good, and smell good!
You get along with certain people, but sometimes it feels like a job and you don't feel that instant connection with people.
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
People feel personally slighted if you don't respond to them in 30 seconds and treat email as instant messenger.
Technology has just been the major progression of the last 15 years - instant communication. That stuff has gone so global. That's what's interesting about it. When someone sits down in front of a computer, it's the same everywhere in the world, and it's the same screen looking back at you with the same Google, and there's no individuality to it. So I decided it would be kind of visually uninteresting to have in my films.
You live through the play at 8 o'clock, straight through, and nobody can call "Cut!" But also with the stage you're getting instant reactions. You hear people snoring in the audience, and bored to tears, or sometimes you hear the laughter, and you can hear them listening.
I hadn't had that much time practicing behind the drum kit. I've spent an inordinate amount of time listening to and programming drum parts, but it's completely different. One of the beautiful things about using a sampler is since you are so detached from traditional technique, you're forced to have a macro perspective of the project. With an instrument, it's the opposite. With drums specifically, there's nothing that provides more instant gratification and nothing that's funner to play.
Being an artist is two things. You accumulate experience and time, and if you have something that's interesting, you have to be persistent. That's very important. There's nothing instant about it. It's a way of life, actually, where you choose to spend your life doing this activity called making art.
I had been digging so much for my show, Minimal Wave - constantly finding fresh old material to play every week - that I ended up discovering all these obscure bands that no one had really heard here. It was very exciting to be able to play their records on the air for a new audience and be able to get instant feedback.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
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