The 1990s were also when a bunch of the soft-shoe language for race, gender, and class became paramount. Because before that I wasn't thinking about systems or food insecurity or whatever. I was just thinking about not getting picked on for being black and not being hungry.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
The rules have changed as information and technology evolve, but it's essential that people stay in the streets, stay visible in their communities, on the news, on the Internet, and in this crucial public discussion. There are a million people just like you (or me), sharing the same doubts, fears, and insecurities that keep us from speaking out. Finding each other in our neighborhoods, online, in the streets - this is what keeps us from believing we're alone, from giving in to hopelessness.
Education can really transform the insecurities in the world into a bigger vision of what we are as human beings.
Out of the house and on my own, I faced the fact I didn't much like who I was. I didn't like my judgmentalism; I didn't like my absolutism. I didn't like my repression of natural empathy, my pinched lack of emotional generosity. How I had been thinking politically had less to do with what was wrong with the world and more to do with what was wrong with me, with my fears and insecurities, failings, weaknesses.
The number-one reason women say they returned to their abuser is financial insecurity. Often they have kids with them. They say half of the 66 million women and kids living in poverty in the US wouldn't be if women were just paid their full dollar. That's an enormous impact we could make on child hunger.
I have always been a combination of both security and insecurity.
Capitalism has created a situation called scarcity. And that scarcity is not natural, it's socially induced. Along with that sense of scarcity, or feeling of scarcity, is a feeling of economic insecurity. Along with that is a feeling of deprivation... And unless we can demonstrate that that feeling is not justified technologically, we will not be able to speak intelligently to the great majority of people and reorganize our economy so that we really know what needs are rational and human and what have been created, almost fetishisticaly, by the capitalist economy.
[John Adams's] vividly descriptive prose is supremely quotable. Adams wears his heart on his sleeve and reveals all of his ambitions, doubts, and insecurities, especially in his diary, which is one of the greatest and most readable in all of American literature.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
Once the Eastern Bloc collapsed, what I call 'historical spontaneity' prevailed and the countries that were subject to Soviet control naturally gravitated to the West. That's where they sought their security; I don't think there was a way to avoid that. If we tried to exclude them, we would have today not one Europe, we would have three Europes: one in the West, one in the middle and one in the East, and the middle would be insecure and a tempting target. The insecurity felt [today] by Eastern Europe would be replicated on a much larger and more consequential scale.
My middle school experience was pretty hellish. There was a lot of negativity, a lot of bullying and a lot of insecurity. It was the reason I ended up going to my arts high school because I was pretty bullied.
I certainly wished I hadn't stressed quite as much or had such insecurity at times. I wish I had trusted my instincts on some occasions when I didn't and I wish I had listened to better advice when I didn't. But overall, I have to look at the glass as half full and acknowledge that I am all of the moments of my life, the good and the not so good.
I feel like I'm the best actor on the planet and I also feel like I'm a fraud. I think hubris comes from insecurity. Confidence comes in a more rooted sense; part of being confident is being able to say, "I can be really shitty," and to accept that. But also not to crumble under it.
Democratic Party are totalitarian, authoritarians who - when you get right down to it - are showing everybody they have no respect for the democratic process, and they want no part of it. They are trying to undermine it. This isn't insecurity. This is dangerous!
I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".
I'm also looking for the psychological elements that fuel commodity culture. For example, if we imbue girls with deep insecurity about their bodies through images of an impossible ideal, we create a really vulnerable and avid consumer. If somebody feels that they're not OK without a certain product, you have a very deep and loyal market that will come back to the product again and again. Sometimes, this process is both rational and irrational.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
When a leader correctly identifies real hurt and insecurity in our country and instead of addressing it, goes looking for somebody to blame, there is perhaps nothing more devastating to a pluralistic society.
There's such a high stigma around talking about your feelings or insecurities because, especially for men, we don't want to show that "weakness." But I'm always like, "OK, what would you rather do: Show weakness and get better, or continue to get worse and who knows where that leads?" There's something behind the suicide rate continuing to climb year after year. Why don't we ask for help?
I think that every individual is a microcosm of the culture that they're born into. They reflect the anxieties, insecurities, and strengths of that culture. I'm also American and I reflect on what it's like to be an American in the 21st century.
For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.
The switch has been built. Maybe you trust Barack Obama not to throw that switch, and maybe you trust George Bush not to throw that switch, but as we look towards the future, we see inequality becoming more and more acute. We're seeing more and more protests against cops and this kind of thing. We're also seeing more and more natural disasters. We're seeing more and more environmental insecurity.
Funnily enough, I feel the most free to be myself when I'm not doing my solo project. Whenever I'm in a situation when it's a side thing or it's something not so infused with my ego. When I'm all over everything, it's a big responsibility and half the time leaves me in some weird nether state of insecurity and doubt.
Obviously it's difficult not to compare one record success-wise, or sales-wise, or whatever, but I think you're always going to have moments - whatever record you've got - of insecurity.
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