I don't know if I could write ten easy ways to connect with an audience. I know you have to believe in what you're doing, you have to believe in your music, believe in your ability, believe that what you're doing is honest and true and real.
I decided that if I could fly for ten years before I was killed in a crash, it would be a worthwhile trade for an ordinary life time.
I thought if I could understand why apes get mean and horrible and aggressive when they grow up, maybe I could understand why people get mean and horrible and aggressive and have wars.
If I could do anything in my life and be remembered for anything, I would like to be remembered for helping the world see the value of physical engagement with ideas.
It would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns...It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I.
I love horror movies, I wish I would get more roles to do more horror movies. I got to make a living so I take what they give me, but if I could be the next Vincent Price I would be the happiest guy in the world.
Honestly, I have s much respect for single moms or anybody who finds themselves a single mother, but to even choose to be single mother is just so courageous to me. It is such a hard job to raise a child and be everything to that child without a partner. It's just admirable and courageous and brave and every other valiant word I can think of. I don't know if I could do it on my own.
When I made my first film, Basquiat, I think one of the criticisms was that the way I work is episodic. Later, as people started to look at the movies, they started to realize that maybe that's my style. If I could do it better or another way, I guess I would.
I wouldn't change a thing in my life, even if I could. What you go through makes you who you are and that's fine.
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
If I could go to Kabul and not die, I would go back to Afghanistan as soon as I could. And, that was the most interesting place that I've been to.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
I had seen some shows at the Groundlings [legendary L.A. improvisational and sketch comedy troupe] and thought, "If I could ever do that, that would really mean something, that I have arrived." So I went through the program and said to myself, "I'm going to stay here until they kick me out." Seriously, they can ask you to leave at any point. Luckily, they never did that to me.
If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.
If I could, I would live in Houston, and I would encourage any comic starting out looking for a good place to develop to move there.
I'm a homer, so the closer [I perform] to my house the better. If I could get crowds to gather around my bed, that would be ideal. I also like doing stand-up in places that I can surf, snowboard, or anywhere that I have a pregnancy scare.
If someone asked me if I could have anything in the world, what would l want? If l could own anything, like owning a piece of art, l think it would be Elton John's publishing, on his first seven albums. I don't want the money. Being able to own those songs Is like owning a painting of someone you admire.
I would never felt good if I hadn't experienced losing, because losing is part of your life. And it something that if I could teach people to understand that I think it could help them a lot.
If I could persuade myself that I could find Him in a Himalayan cave I would proceed there immediately.
I was a co-operator too in the sense that I non-co-operated for co-operation, and even then I said that if I could carry the country forward by co-operation I should co-operate.
I would definitely make eggs for the rest of my life if I could.
I asked the head musician if I could go onstage during the next break and he said sure. I got two laughs in twenty minutes, and walked out feeling more elated than I had ever felt in my entire life. The glory of that triumph contented me for two full years.
If I could predict the trends, they would already be there.
As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.
To me, one of the most profound questions we can ask is: "So what?" And so what if there's an indefinite number of worlds with alternate "us-es" in them? The "so what," to me, comes alive when I ask myself: "What if I could find a way to get in touch with those alternate mes who made those choices?" That is, persons who, if I saw them now, I wouldn't even recognize because their choices, once small, have multiplied to make them such different people.
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