The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
In all fairness to Secretary [Hillary] Clinton I want you to be very happy. It's very important to me.
I want families to come together, and on the corporate side, I want you to know that there are men out here who stand for righteousness.
I want a lot of young people to see me in my working environment. I want them to see me being a good person while also running a business. I want young people to aspire to that.
There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.
Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.
Jesus didn't mean this as a sweeping command for everyone who has a lot of money. Jesus meant this for any of us who wallow in whatever abundance we have. I imagine Jesus looked straight into this young man's soul and said, 'I want you to give up the one thing you crave more than me. Then come, follow me.'
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
I think that there was a fad where everyone said, "I want you to create a signature step for my artist." The thing is, for me, music creates the step. The artist commands the step, you know?
I won't wear rings and jewelry on the stage because I don't want you looking at my hands. I want you hearing what I'm saying.
When I love, I love: wholly, thoroughly, completely, drowning in everything. Every glance can be a conversation, eyes just playing and saying what needs to be said. Silence is loud, and the air becomes heavy. I want you. I want all of you.
Over all, I want you to discover the joy of creation by your own hand. ... The possibility of creation from paper is infinite.
My origami creations, in accordance with the laws of nature, require the use of geometry, science, and physics. They also encompass religion, philosophy, and biochemistry. Overall, I want you to discover the joy of creation by your own handthe possibility of creation from paper is infinite.
A book is a map. There will be times in your life when you will feel lost and confused. The way back to yourself is through reading. There is not a problem in existence that has not been eased, somewhere and at some time, by a book. I want you to remember that.The answers have all been written. And the more you read, the more you will know how to find your way through those difficult times.
I want you to consider this distinction as you go forward in life. Being male is not enough; being a man is a right to be earned and an honor to be cherished. I cannot tell you how to earn that right or deserve that honor. . . but I can tell you that the formation of your manhood must be a conscious act governed by the highest vision of the man you want to be.
Kids need to start thinking for themselves. Not to be like their friends that think they're individuals. I don't want you to be like us, I want you to be like you.
Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.
I want you to learn the lesson of the lotus. This flower springs forth from muddy waters. It raises its delicate petals to the sun and perfumes the world while, at the same time, its roots cling to the elemental muck, the very essence of the mortal experience. Without that soil, the flower would wither and die.
When you come to see a picture of mine, I want you to know that I'm not going to do anything that will make you uncomfortable. I want you to know that you won't be disappointed in me.
I want you to know, at this very moment, I am simulating normal human behavior.
I do think my mother was a bit overprotective, not in any sordid way, but just normally. She certainly might say to me, "You know, Laura, I don't have a good feeling about that guy. I don't know if I want you to go out with him."
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
remember to recognize the small successes that you will have. Don't let the brightness of that big goal blind you to what happens on the way toward the goal. Meet one wave at a time and enjoy what progress you make. I want you please not to be taken up in the undertow of pessimism.
Wages? You want to be wage slaves? Answer me that! Of course not. What is it that makes wage slaves? Wages! I want you to be free. Strike off your chains! Strike up the band! Strike three you're out! Remember, there's nothing like Liberty, except Colliers and The Saturday Evening Post. Be free, now and forever. One and individual. One for all and all for me, and tea for two and six for a quarter.
I don't know what the future may hold for me-or for any of us. But I want you to know that I am a man who likes having critics who are not enemies.
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