One day I realized that it didn't matter whether people loved me or not.
Where is home? I've wondered where home is, and I realized, it's not Mars or someplace like that, it's Indianapolis when I was nine years old. I had a brother and a sister, a cat and a dog, and a mother and a father and uncles and aunts. And there's no way I can get there again.
I realized I could do anything if I wanted it badly enough.
I realized why I need to start a new company. Not for the money. Not because I'm 'bored'. But because a company is a laboratory to try your ideas.
I realized what interested me as a student of film was one thing and the movies that I liked were another.
At first, I felt proud when someone said 'Your work looks like a man did it.' Then I realized that was stupid
I realized the only thing I owed my audience was my own judgment and my own best effort.
I realized that an artist seeking to tell the truth in her art takes great courage. I recognize the courage required to bring children together from Israeli and Palestinian communities to find commonality in music as a very powerful and effective beginning towards Peace.
There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.
Years ago I realized that maybe I made mistake, politically, when I turned a lot of that stuff down. I would go off to obscure places and make movies that six people went to see.
I realized that I would have some very tough sledding, and I was very discouraged because I didn't see much hope of getting into the field I wanted to get into with no college education.
Later, I realized that the mission had to end in a let-down because the real barrier wasn't in the sky but in our knowledge and experience of supersonic flight.
And to me, I had come out of Texas, and during that time was when I realized that a lot of people in Nashville, their idea of what country music was was not the same as mine.
So the thing I realized rather gradually - I must say starting about 20 years ago now that we know about computers and things - there's a possibility of a more general basis for rules to describe nature.
I just turned 30 so I got really introspective as you do, questioning my life. And when I stopped and sort of looked back at the past decade, I realized I had done more work than I thought I had done.
I realized that I wanted to play characters and do traditional theatre. I wanted to make believe again. I like putting on a costume and pretending to be someone else for a few hours, and I have a great respect for playwrights.
Besides the physical strains I realized men can be pigs to women even when it's a man dressed as one.
There were no shortcuts, I realized. It took years of racing to build up the mind and body and character until a rider had logged hundreds of races and thousands of miles of road. I wouldn't be able to win a Tour de France until I had enough iron in my legs, and lungs, and brain and Heart.
Then when I reached college, I realized that many people had thought about the problem during the 18th and 19th centuries and so I studied those methods.
I also became a vegetarian when I was 14 because I realized eating animals was cruel.
I loved reading the Dalai Lama's words: My religion is loving-kindness. I realized that meant loving-kindness to everyone in my life: past, present, and future; and that meant loving-kindness to myself-in my pain, in my jealousy, in my fear.
When I got to the end of this play, I realized I was trying to make Angel do something that had not been justified by the characters and by their story . . .. I kept trying to force it, but that doesn't work. So I had to come to terms with what it meant for me to create a character who doesn't triumph.
I realized it was like a dating agency: the ions are the lost souls looking for mates; the electrolyte is the agency that can help them find each other.
At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler.
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