I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.
To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
I work out five days a week, I can't imagine not doing it.
I'm in a unique position - I can do what I want.
Every dollar I can't commit to my company that's paid in taxes is paying a government that I believe is too big and doing way too much that I don't want done.
It seemed to a number of philosophers of language, myself included, that we should attempt to achieve a unification of Chomsky's syntax, with the results of the researches that were going on in semantics and pragmatics. I believe that this effort has proven to be a failure. Though Chomsky did indeed revolutionize the subject of linguistics, it is not at all clear, at the end the century, what the solid results of this revolution are. As far as I can tell there is not a single rule of syntax that all, or even most, competent linguists are prepared to agree is a rule.
Well, I don’t know if I can comment on Kant or Hegel because I’m no real philosopher in the sense of knowing what these people have said in any detail so let me not comment on that too much.
Careful, love. Prices aren't the only things I can cut in half!
I can do anything. Anything at all. That's the trouble.
It is also very engaging - and a delight - to go back to Bangladesh as often as I can, which is not only my old home, but also where some of my closest friends and collaborators live and work.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
Now that I have retired, and even though I wanted to play more, I can always look back and say that at least I won Wimbledon; also, winning the tournament in Rotterdam in 1995
I want to reach absolute perfection. And I think I can reach it.
I can never acknowledge the right of slavery. I will bow down to no deity however worshipped by professing Christians - however dignified by the name of the Goddess of Liberty, whose footstool is the crushed necks of the groaning millions, and who rejoices in the resoundings of the tyrant's lash, and the cries of his tortured victims.
Nobody has a right to whip me but my own master, and nobody shall do so if I can prevent it
I'd rather risk an ugly surprise than rely on things I know I can do.
I like a canvas to breathe and be alive. Be alive is the point. And, as the limitations are something called pigment and canvas, let's see if I can do it.
A landscape, torn by mists and clouds, in which I can see ruins of old churches, as well as of Greek temples - that is Brahms.
I can pray better when I'm comfortable.
When it's been a long day of climbing, and I feel like I can't go any farther, I concentrate on the next three feet. And then the next three feet; and then the next three feet. Pretty soon, I'm at the top.
I can't visualize the situation in which we nuke ourselves into extinction.
Our armed forces are not the thirtieth strongest in the world, but rather the second or third. We have the capability to take the world down with us. And I can assure you that this will happen before Israel goes under.
The problem is that you cannot prove yourself against someone who is much weaker than yourself. They are in a lose/lose situation. If you are strong and fighting the weak, then if you kill your opponent then you are a scoundrel... if you let him kill you, then you are an idiot. So here is a dilemma which others have suffered before us, and for which as far as I can see there is simply no escape.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
Writing is the only place I can be myself and not feel judged.
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