In a marriage, you struggle and struggle and struggle, and then you realize that you have to ride the horse in the direction it's going. You stop trying to pull the reins in another direction.
I'm the type that makes attempt after attempt and moves forward like a wild horse.
We have relationships with many different things, creatures and beings. We have relationships with cats, with dogs, with horses, and we know that there are certain things they can't do. So we'll add robots to that list, and we'll learn what they can and cannot do. No harm, no foul.
As an actor, you hope to obtain this mind meld and sometimes I feel like I'm chasing a horse holding on to its tail and getting dragged, and other times I feel much more velcroed into the saddle. And I'm not the knower of which is better or best as a process, it's just as random as the weather in terms of what my subjective experience is.
I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.
On the acting side, they actually tell us to lie about things that we don't know and later scramble to learn. "Do you ride horses?" "Yes, I do." I think scrambling is the death of most of us in the industry.
I started playing polo when I was nine years old. I'm from Argentina, so in Argentina polo is more of a common thing. We have a lot of horses and a polo tradition and it's something that goes from generation to generation.
A friend of mine had this idea a few years ago. We thought it would be a great way to promote the sport and to put polo in front of a lot more people in an unexpected place: the romance novel. There's a lot of people that care about those kinds of stories, especially women, and it would help people to know what the polo life is all about. It's not just what you see in the newspapers or on Pretty Woman. There's a lot more to it: the time spent in the barn, how much we love the horses, the relationship with the horses and with the family, etc.
I have to say my relationship with the horses is the biggest thing, and it grows. I love horses more and more every day, and I'm breeding, so when I'm playing a horse that's the son of a horse, the daughter of a horse I used to play, it's like bonding. So I think that's the most amazing part of it. It's the passion that we polo players have for the horses first, and then the game and the strategy of the game and winning and the team and your teammates, all of those things are a big part of it, but the horses are my favorite part.
Prince Harry is a great guy, very competitive; he's been playing polo all his life. Riding is in his blood. His grandmother loves horses, his grandfather played polo, his father played polo, his brother plays polo, so it's in his blood. He likes to play hard, we joke about it and it's great.
My father was only born something like 30 years after the Civil War ended, 35 or 40. He was born closer to that than the era in which he died. He was born in 1891, no television, no phones, barely any electricity. He wrote a book to all of us that was really just a compilation of the letters that he had written over the years to my grandmother when they were courting, in the horse and buggy era. Everybody said, "When did you have time to do this?" Relating their own lives to his. He said, "What do you mean, when did I have time? This is all we did." There was no TV, none of that.
In later years, when I started working in police ethics, I was professionally drawn back to the topic but as well was better able to see two sides to loyalty - its importance for certain central human relations such as friendships, but also its corruptibility in the sense that loyalty could be invoked against other moral constraints: it sometimes function as something of a moral Trojan horse, undermining other moral considerations.
Lately, I've discovered the Hellenistic bronzes. I'd never really thought about them much, but then there was this marvelous exhibition - many of them Roman, some of them Greek, all kinds of wonderful standing figures or heads or horses. It all suddenly became a passion of mine. I finally got to see that exhibition, which led to the idea of bringing up the statue in the film.
You can lead a horse to water, but you can't make it drink.
We still write too many stories that are "state of the race" stories that are informed almost solely by what the polling shows and by what we're then deducing about who's up, who's down, and I'm just not sure that's very helpful to readers, it certainly doesn't elevate the debate and, and the problem is if you, if you cover these things, and I don't think the Times is particularly culpable, I think other news organizations are worse, if you cover them in an entirely "who's up, who's down" horse race way.
You're encouraging a response in citizens and the public, that has nothing to do with an informed decision, that has nothing to do with policy, that has nothing to do with any of that but that just kind of turns it into a competition they're watching as if they're watching the Preakness or the Belmont Stakes and I think if we want people to make more cool-headed, sober-minded decisions covering elections as horse races is the antithesis of doing that.
The Democrats are losing. And look, folks, I don't mean to beat a dead horse here. I'm not doing anything other than pointing out what's actually factually happening. I'm not drawing any inferences from it. The Democrats are actually losing as themselves. They are losing elections if they are honest about what they want to do. It doesn't surprise me at all that Jon Ossoff would be running around.
We have seen violence and terror perpetrated by those who profess to stand up for faith, their faith. Professed to stand up for Islam, but in fact are betraying it. Humanity has been grappling with these questions throughout human history. And lest we get on our high horse and think this is unique to some other place, remember that during the Crusades and the Inquisition people committed terrible deeds in the name of Christ.
To borrow a phrase from my friend Erskine Bowles on the Fiscal Commission, we are the healthiest looking horse in the glue factory. That means America is still a step ahead of the European nations who are confronting a debt crisis, of Japan that's in its second lost decade.
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
It's really cool to get these guests on the show BoJack Horseman: not just actors, but, "Can I get Jonathan Lethem on my weird talking horse cartoon show to talk about how growing up in Brooklyn, he always dreamed of being a ringtone?"
There used to be one writer rather than a team of writers. It's the old line about a camel being a horse designed by committee.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
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