I want to make music as good as Radiohead, as good as Coldplay. I can make hip-hop as good as anybody.
To be hip-hop is much more than just rapping in the production. It is more in the attitude.
The kids know what I'm doing when I exercise, and that's powerful. So don't just tell your kids to go play outside. Take a moment off your computer, put on your tennis shoes, hop outside and help them start their game and run off some energy.
Parasites are not only incredibly diverse; they are also incredibly successful. There are parasitic stretches of DNA in your own genes, some of which are called retrotransposons. Many of the parasitic stretches were originally viruses that entered our DNA. Most of them don't do us any harm. They just copy and insert themselves in other parts of our DNA, basically replicating themselves. Sometimes they hop into other species and replicate themselves in a new host. According to one estimate, roughly one-third to one-half of all human DNA is basically parasitic.
Hip-hop is not the problem, our reality is the problem.
I grew up in predominantly black neighborhoods and went to predominantly black schools. And hip-hop is what I grew up listening to in my teenage years. Basically I'm just being myself.
One thing I always loved about hip-hop music was the raw, boom-bap element - it felt powerful and manly.
Hip-hop as a culture itself goes through stages. It grows - it's breathing, living. I've noticed that we usually start off conscious, then we wind up very highly sexual, and then we thug it out. Then things get a little funny again, with comedy and that kind of thing.
Hip-Hop is being spoken through spirituality... Meaning that you'll be able to listen to it spiritually for yourself.
There's a Universe Instrument, where we apply Hip-Hop to astronomy, and we flush out the chemistry of Hip-Hop. We also flushed out the astronomy, to see where Hip-Hop is read in the stars.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
When I say hip-hoppers, I mean black, white, Asian, Latino, Chicano, everybody. Everybody. Hip-hop has united all races. Hip-hop has formed a platform for all people, religions, and occupations to meet on something. We all have a platform to meet on now, due to hip-hop. That, to me, is beyond music. That is just a brilliant, brilliant thing.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.
Hip-hoppers are not interpreting what hip-hop is, and when we do interpret it, we interpret it as something immature, unorganized, and outlaw.
It's just hypocrisy on hip-hop's part to cry racial profiling when your race is on TV acting like fools.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
I'm actually a huge fan of hip-hop. I like hip-hop music. I love rap. I like cabaret music, as well. I just love live music and bands.
I always knew that I had to direct. That was something I'd wanted to do. Finally, I was just looking at the situation and I said, "I wanna document hip-hop, as an art form, seeing how a lot of people don't take it seriously."
Rapping is a vocal delivery, so you can do it without being part of hip-hop and not knowing what hip-hop is about.
What's bad for the culture is wack rappers that get held in high regard like they're some great thing because it's the flavor of the month, but everybody knows they can't rap. I don't think it's hard, even for somebody who's not hip-hop, to know that that's not good. When you put them up against somebody that can really rhyme, you go, "Okay, I get it. This is what it should sound like."
Hip-hop is a competition culture. It's based around, "My DJ is better than you. My graffiti artist is better than you."
I like hip-hop, I like yay music.
I have tried being surreal, but my frogs hop right back into their realistic ponds.
I wiggle my shoulders, I shake my legs, I walk up and down the stage, I hop around on one foot. But I never bump and grind. Why, that's vulgar. I'd never do anything vulgar before an audience. My mother would never allow it.
You are the hip-hop violinist, the creator, the visionaire, ... and therefore you should do whatever the hell you wanna do because whatever you do is right. They're not gonna have like 20 hip-hop violinists in the company. I know what to do.
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