The best things about womanhood might possibly even be the conversations. The chatting. The gabbing. The whispering. The hands-on-hips eye-rolling. The yukking-it up.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
I'm fine, and my hips are fine. My false knee is fine. My false hips are fine. Everything's cooking.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
We have been lead as the hip hop generation. We have been once again lead by people who are under qualified. It's like they just got a pair of new jeans..They just started wearing them below their belt 2 months ago.
I have been trying to heal my body from surgeries over the last five years - from my broken leg, tonsillectomy, wisdom teeth, eagle syndrome and hip. Needless to say, it's been a very painful process.
I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.
I really like John Legend as an artist and as a person. As well as Lyfe Jennings. Jeezy is good people as well. I like to interview Nick Cannon. He always has something interesting to say. I still enjoy talking to Jay-Z or Nas which was weird since we had so much history. I also enjoyed talking to the Mayor of Detroit as politicians because they need to hear the hip hop side of the community that they don't hear from on a regular basis.
Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.
My forte is the music. But obviously if ya don't keep up with the business, then your kinda doing it for nothing. So I do plan on being well off doing, maximizing what I do now. I heard Jimmy Kimmel describe being in your thirties in hip-hop is like the equivalent to being 300 yrs. old; almost like a dinosaur.
It's like hip hop all over again, back in the '70s back in the Bronx, when it was just bubbling. But it's going to be huge.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
My goal in this music business is to be here as long as I'm alive. I want my music to be here. I want to be the Michael Jackson and the Prince of hip-hop. I want to be a legend. I want to change the world. I want to give them songs that mean something.
People will less and less need to put an identity on genres, such as "hip hop," "electronica" and so forth. That's what I try to do with Princess Superstar. Why should a musician be limited to only one form or one genre of music? And so, I think the same will hold true for the whole male/female categorization.
My main concern is that there is a balance in the system and that some art-based hip-hop can get out to the masses, 'cause right now people are not responding to what they don't know. Most people are just afraid to think on their own.
I think hip-hop has definitely brought the black experience to white kids more than the civil rights movement did and more than any teacher's well-intentioned lecture on Martin Luther King did.
Dance music was really leading the way in the U.K., Europe and Australia. America was always about hip-hop and R&B.
I listen to a lot of different music. I love hip-hop. I'm a big underground rap fan. I listen to the likes of J. Cole. Lately, I've also been getting into techno house music. And I've been on an Eighties retro kick, and I've even been experimenting with some rock.
When I was growing up, hip-hop music existed as American thing. If you listened to it you were listening to an American subculture, whereas now you're just listening to pop music that everyone shares. I think that's big.
The borders and boundaries of hip-hop have been broken all over the world. There's a great scene everywhere you go.
Hip-hop culture is deeply rooted in the wrong things. Hip-hop is about drugs right now. It's more so about drugs - about selling drugs, about using drugs - it's bad for kids.
I think there's too much of the wrong type of influences that stem from hip-hop.
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