In 1970 or '71, early in the magazine, Michael O'Donoghue did maybe eight pages of a 1958 yearbook, from Ezra Taft Benson High School. But by the time the [book-length] high-school yearbook came around, he didn't want to be involved.
Finally, one night we were smoking pot [with Michael O'Donoghue] and talking about the people that are invariably in high school, whether you go to prep school or public school or ghetto school or rich suburban school. And actually, it spun off from a Kurt Vonnegut quote.
[Kurt] Vonnegut once said, if you ever want to know who somebody is... Like you look at Richard Nixon, or Adolf Hitler, or Ralph Nader, or anybody who seems like a difficult person to understand, and is therefore not part of the pattern of human behavior. Think about who they were in high school, and they will explain themselves to you. So we got a hold of, like, 50 high-school yearbooks, including my mom's from 1925 or something, and we discovered that they're all the same.
Once we realized that there were these 25 invariable types - the class politician, the frigid popular girl, the kid who tags along behind the jocks - once we came up with these key characters in a cloud of marijuana, the whole thing just came together. One of the things I'm really proud of is how much of a high-school yearbook it is in its look, so much so that Hunter Publishing had the art director, David Kaestle, and I come for years to their annual convention and do a little talk on how not to do a yearbook.
I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.
I did it once in high school - I was Sandy in Grease - and I decided then that I would never do it again. I've felt that way for years, and that's no bullshit.
I was bullied pretty badly especially in middle school. High school was not as bad as middle school, but I was not a macho kid at all. And the kids saw me as different from a very, very early age.
I wasn't really sold on being an artist until high school, my senior year. I was going to do the college thing originally.
Many of my family members are teachers in the arts, and I picked up the camera years ago, in high school.
I didn't do well in high school, but I took photography, and I loved being able to capture moments.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
I had a fantastic teacher in high school. I had one of those guys you dream of having, who molds your life and inspires you to go in a particular direction, and he was quite brilliant. His name was Cecil Pickett, and a lot of the kids from my high-school drama class are in professional show business and have done quite well.
Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
I do know that when I look around in show business, I see a lot of people who were in my drama class in high school.
The three greatest people in my life as a young person were white, my high school superintendent, my high school coach and a - I graduate in Manhasset High, Kenneth Molloy who's a mentor to yours truly.I'm not a person that really deal in color.
There wasn't a funeral per se. I buried [Gilda Radner] 3 miles from her house that she had bought just shortly before we met. It was an old house, old colonial house, 1734. And there were just a few friends at the funeral, a nonsectarian cemetery. And an old friend of hers from junior high school or high school was the rabbi in town, and he performed the service.
For me, being a rap fan and the nostalgia of me being a kid, rappers and guys on the street told me everything to wear. That was it. I didn't necessarily read too many fashion books. Then it got competitive in junior high school. It was moreso about, "You don't got these." Everybody could be fresh, but you don't got these.
That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.
Professionally - I had the opportunity to play sports throughout my youth, in high school and college. Early on, I decided I wanted to be a coach so I tried to learn everything I could about all positions on the team.
I received my Master's degree from the University of Utah while coaching at Granite High School. I obtained my doctorate from BYU while coaching. I pursued these degrees to prepare myself if coaching didn't work out.
There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
I started going [Grateful Dead] when I was in high school. I was 15. It was the Summer Of Love.
When I look back at high school, or college, or when I was getting married, it's the girlfriends I had then that give substance and joy to that point in my life.
I knew that when I left there at the age of 18, I wouldn't be back. And it was common knowledge among all the people there that when you graduate from high school here, you go to college or go get a job or something and do it on your own.
I want the younger kids, the basketball players in high school and college to hear from me and let them know that when you come to the league, this is what happens and this is how I feel as an NBA player. And it's not all peachy keen.
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