Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello.
Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my own personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! magazine not because I want to replicate how they look, but because of the meaning they bring to the work.
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