Our response has been, "Well, let's then make an effort to get the Israelis and the Palestinians to sit around the table." That hasn't happened. So we only have ourselves to blame for this crisis.
I think of what's happening in Detroit as part of something that's much bigger. Most people think of the decline of the city as having to do with African-Americans and being in debt, and all the issues like crime and bad housing. But what happened is that when globalization took place, following World War II, Detroit's role as the center and the symbol of industrialization was destroyed. It wasn't because we had black citizens mainly or a black mayor; it was because the world was changing.
What has happened to Africa is very severe. We are talking about the collapse of this and the collapse of that, of good government, of the economy particularly. And this has hit education badly. The news you get from the universities in Nigeria is often appalling. I don't think a lot of it gets out. There is the obsession with cults and all kinds of dreadful things going on and all this is taking its toll and it is not surprising that quality of students and graduates who come out is not good. It will not be surprising if this shows in the quality of work they do.
Along the way, a lot of filmmakers get rid of things that are messy or don't fit in some ways. To me, I want to work with serendipity and things we happened upon. That's our job, that's what the form demands.
That's what the left is always doing. They have an ideal, and they want people to conform to it. When people don't conform to it, they end up being beaten into the mold. And beaten sometimes hard enough so that if they don't fit, then they kill them. That's what happened in the Soviet Union and China.
The worst thing that could have happened to me as an addict was having money.
I don't know how it happened, but everyone thinks I'm this crazy b***h. Maybe because I don't have eyebrows. A lot of bands talk s**t about me and I post a blog calling them out. F**k them. The future is bright pink so put on some sunglasses, b****es.
My attitude towards my time as a musician, is that I really wanted to completely reinvent myself and not be one of these people who, twenty, thirty years later, is trying to recreate something that happened. I'm glad that Neil Young still makes records, but I don't know that everybody needs to be frozen in time forever. I think it's good that pop music is ephemeral.
In England, enclosure programs kind of destroyed the commons. In the United States, it happened later. But, ah, now it's happening in the world. The last remnant of the commons is the environment, which the indigenous people are still trying to preserve and we sophisticated rich people are trying to destroy.
Every human being has a dream. I think what's special about the American Dream is that it implies, given everything that's happened with the history of America, that there is the opportunity to make your dream come true. So I think America signifies opportunity.
The value that I found in interviewing was for an educational experience, just to know that history itself is subjective, that you can't say, "It happened." Do the best you can with what you think happened, but a lot of other people are going to see it happening differently.
It's hard for me to talk about the terrible things that have happened in my lifetime because they didn't need to be.
I can't understand how some bands are criticized for doing something different and other bands are rewarded for doing things different. At the end of the day, I throw my hands up in the air and say, "F**k it." I've come to accept that no matter what we do, there's going to be somebody out there on the Internet that says it's a piece of s**t and somebody who says they really like it. That's happened with every single album we've put out.
We need saints; we need this head - this talking head - to communicate. Every single religion you have people that go in-between, that can talk to god or communicate ideas. Then there are the talking heads in the news every time we watch TV. No matter how complex, you still need a person there to tell you what happened: a storyteller of sorts. I find that fascinating that we feel so attached to this primitive mode of connection, this primitive interface to the world.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
What has happened now in mass media and advertising is not only that they've adopted the style and the look of fringe culture; that has been happening for a long time. What they've now done is gone a step further: They've now taken the very idea that there is any dissent at all - it doesn't even matter what form it takes - and made it part of how they're going to sell something.
Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.
If in fact, the US story is correct, if it is true that Syria used chemical weapons, then it wouldn't be a major crime to send a kind of shot across the bow saying you can't do this anymore. Not the best thing in the world, but not a major crime, either. So, I think at the very least there should have been an inquiry into what happened. But just joining the bandwagon about how we're finally standing up to crimes in Syria, that's ridiculous.
I am a very conservative journalist and prefer to write about what happened, and not what will happen.
Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa - previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by Gaddafi: 'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe', and this is exactly what happened.
The new children are coming in. The families do not understand them. It does appear, from all the research that people are doing, that the new children are healing their mother and father by their very presence. So they may do it themselves, but, still, we've got to change what's happened here - our families are just total disasters.
There was a young man in our community who said he wanted to be a minister, and my father was trying to mentor him in the ministry, and something supposedly happened in town.And this young man was jailed. I remember my father lamenting and saying, well, regardless of what happened, he's human; he's human like the rest of us and he deserves, to be heard and to be seen.
The beauty of TV is that it does not have to be live. In this case, rather than spending an hour or two hours staring at a door and waiting for somebody to come out, we can just tell you after it has happened.
I was this Swedish kid who came over here to study engineering, but I got into movies, and suddenly I'm in this 'Rocky' picture with Sylvester Stallone. And then the movie comes out, and it's a big hit, and I'm famous. Like, world famous. I wasn't thinking of ruling Hollywood; I was thinking of just trying to make it to the next day, trying to figure out what the hell happened.
I didn't decide to be a photographer; I just happened to fall into it.
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