I'm all about having one day during the week when I have an at-home spa day. That's when I like to do my nails and moisturize, or do a coconut oil hair masque and clear out my blackheads with pore strips. That's one of my favorite things.
I don't think that a white woman is in denial when she dyes her hair blonde. And I actually think we are the most varied in terms of the choices we make about our hair. Some of it may be political or psychological, but an awful lot of it is just aesthetic, how we like to view ourselves when we look in the mirror.
From childhood forward, our hair is one of the most critical, defining aspects of our embodied selves as black women: how we get it done... how we have to focus on it... the questions we have to answer about it... and so forth.
I do think that we have to be careful not to assume that getting a perm or wearing a blonde wig is a desire for whiteness. It may or may not be. Listen, I live in a poor black neighborhood where women wear blue hair, green hair, and all kinds of stuff. So, I simply see it as a different set of choices.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
I would much rather people kick and scream and tear their hair out and accuse me of all kinds of blasphemy, than just have no opinion whatsoever.
Years ago when I got stuck, I'd start twirling my hair. That's not possible anymore. I can't prove the relationship between writing and hair loss, but I think I pulled out a fair amount trying to work on certain sentences.
It's actually a character choice for a movie I've been filming in South Korea called Okja. My director had this idea of having my hair be a very vibrant red/pink/watermelon color. We haven't finished filming so I'm kind of riding the wave of the red hair right now in terms of everything else that I have to do with The Last Tycoon press and you know, regular life. I'm really loving it. It's turning into a thing for me.
I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn't sleep a wink for those 40 nights. I have a picture from the end of the shoot, and in it I have lost all my hair.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
When I do yoga, it gets all sweaty, and the best thing for dried up hair isn't shampoo, it's sweat.
I have never, not once, gone on television and not received some email or tweet or comment about my hair. Without fail. Isn't that absurd? All it does is make me want to shape my bangs into a sort of middle finger-like sculpture.
Because of my compact and muscular body composition, my short hair, and my "Johawk," I have been mistaken for a boy on many occasions. Each time it happens, it feels like I have been punched in the gut. It is extremely discouraging.
When I find material that gives me a natural yet unique character point of view and has well - developed characters throughout the script, it makes the hairs on my arm stand up.
Donald Trump's hair frankly. Sometimes you know you're going to get criticism, but you just have to take .
Did I choose my hair texture? No. I'm grateful for having this hair on my head.
On the beach, I'm definitely team natural. I mean, a good tan when the freckles are popping and some saltwater hair, I think that's super hot. So, I'm all about the natural on the beach.
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"
I don't wear makeup. I don't wash my hair every day. It's not something that I associate with myself.
I really committed to growing my hair out about a year and a half ago. There's always this awkward moment when you're growing your hair out and it just doesn't look all that great. But if you just power through it then you'll get a pretty good end result.
I've definitely had someone ask to touch [my hair] . That weirded me out a little bit.
I've heard that shampooing your hair everyday is bad for the scalp.
I think 90% of women that I come into contact with are fans of [my hair].
I just thinks it's interesting what it takes an actor to find their characters through the wardrobe, or the hair, or the way a character walks.
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