It's how you look at beauty. Is it only an outward appearance with hair and makeup and a hot body, or is it something deeper than that?
I strangely feel better before I go through hair and makeup. Maybe that's just because I feel like me.
I don't know if I could do this with the same energy, and in the same way - all the costume changes and glitter and hair and makeup - all the time. When I'm in my 50s, I kind of think I'll want to be in a garden.
I enjoy any type of physical transformation. I enjoy working with the hair and makeup department and I enjoy watching people be very good at their jobs.
There's part of our brain that we shut off when we're in the studio. There's part of our brain that we turn on when we are out doing an interview or promoting something or waking up at six in the morning for hair and makeup.
When I dress in a certain way and do my hair and makeup in a certain way, it's not to get attention. I'm not a supermodel. I make the best of what I've got. I work out to look the best that I can.
I love it, to have the same crew. I'm not married. I don't have children. My 17-year-old dog died. I'm kind of on my own. So I really like having the same camera guy for four years. I love looking around and seeing the hair and makeup people who have been there from the beginning.
My hair and makeup people and stylists have changed over the years, but they all know sometimes I want to do Marilyn, and on another day I want to do Jackie O. Though sometimes I look back and have to say, "Wow! What were we thinking there?"
I am a fast dresser, 30 minutes max with hair and makeup. I don't have a uniform, but I like to be comfortable.
This is a very superficial job. I sit in a chair for two hours and get hair and makeup done and talk about myself in interviews. That's a very vain thing to do. And I do get caught up in it sometimes.
I’m a better person in a relationship, and I’m a happier person. I need to come home at the end of the day and have it not be about me and my freaking hair and makeup and character motivations anymore. And I think my work is more inspired when home is safe and sound and solid, because what I do for a living is so bananas and so insecure.
Elizabeth Taylor taught me that if you do your hair and makeup first then take a hot bath right before you leave, it brings out your inner glow and takes away the powdery look from makeup. I do that right before every date.
I like to maintain a certain sense of fantasy. At home, do I have the full hair and makeup? No. But I might have the nice dress on.
But quite honestly, personally, I was much more concerned - I mean, there's not much I can do about my appearance obviously other than spending four hours in hair and makeup.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she’s obsessed with country and at the beginning, I wasn’t a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she’s also so funny, too. She does these character impersonations and they’re just so funny. Made up characters of course, but she can switch into someone else so fast. I’m always laughing at Lucy and she’s like a little Polly Pocket, you know? The tiny one.
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
Blake Lively is my style icon, and she always has rocking clothes and shoes. She keeps it really simple with hair and makeup, and I try to do the same thing.
I love getting dressed up for red carpet events and having my hair and makeup done professionally - that definitely helps with nerves of going down the red carpet.
The skaters a lot of times do their own hair and makeup before they compete. That was always kind of a ritual...that calming, quiet time where you can just do your hair and makeup. And then I would always lace up my right skate before my left one.
Cameron Diaz is probably my biggest beauty mentor of my friends. She knows how to do her own hair and makeup; she's really good at it.
A lot of my hair and makeup, and everything I pull for inspiration, is [drawn] from old photographs.
Occasionally I like to have facials but I do think they rub too much stuff on your face. I don't really like having my hair and makeup done because it's a work thing.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
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