I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
Folks can look at this issue and read it and it can feel like medicine, it can feel epidemic. We wanted this to hit people in their gut, and the hope is that by doing that, we can get more people to think more deeply about these issues.
Barack Obama thinks he's universally loved and adored because of that approval rating, which is a lie or a misrepresentation. It's mainly people that don't have the guts to tell a pollster that they disapprove of the job because of the racial component, because whenever Obama's policies are on the ballot, they get skunked! If he's on ballot with them, not so bad.
People often think of the unconscious mind as "the gut" or perhaps the Freudian "sink" of repressed sexual desires. It's neither one of those things. It's the repository of memory, and it's the seat of decision making.
My gut reaction [on Betsy DeVos] was, oh, my God. We are now back into the education wars.
If you cannot always elicit a straight answer from the unconscious brain, how can you access its knowledge? Sometimes the trick is merely to probe what your gut is telling you. So the next time a friend laments that she cannot decide between two options, tell her the easiest way to solve her problem: flip a coin. She should specify which option belongs to heads and which to tails, and then let the coin fly. The important part is to assess her gut feeling after the coin lands. If she feels a subtle sense of relief at being "told" what to do by the coin, that's the right choice for her.
It's a moment that I will be asked about for the rest of my life as an actor, and I carry that moment with pride, that Rita [in Dexter] had such an impact and that it was such a gut-wrenching moment for audience members.
Sometimes you gotta go with your first instinct. You gotta go with your gut. That's kind of how I live my life, you gotta go with your gut.
[You should] see everything about your life as a lesson. Ask, "Am I empowering myself?" Even for a tiny thing, like if you're in the grocery store and you're thinking, "Should I buy that?" And your gut says, "You know you can't eat that." If you decide not to listen, you've harmed yourself by blocking your intuitive voice.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
We have an almost desperate need for more women to run for office and for more women to really gut it out after they have kids and stay in their jobs and get to high positions in companies. We need women at the top more than ever. We need women's voices there because they are very different than men's voices and they bring a very valuable and necessary point of view to the table.
To understand something changing form as a destructive act is a very modern, Western gut reaction to things, and I get it. But what I'm suggesting is nothing radical, this notion of things constantly changing, and that the change is not inherently destructive.
A soldier in Iraq said that he wanted to "punch Donald Rumsfeld in the gut, then in the face" or something like that. He wanted me to use his name, but I knew he'd get in trouble, so I didn't. However, I felt it was a great quote because it summed up the frustration of those guys at that moment.
I believe in my gut. Most people intellectualize their instincts away, but when you feel something, you have to go for it. A Fistful of Dollars was a great instinct for me, because here I was, a guy who's doing Rawhide.
I remember being really young and having this voice inside that told me to trust my gut. And my gut has been really, really strong in my life. It's pretty vocal and it leads me.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
I've done really well on one core principle which is, I think I have an intuitive ability to understand consumer behavior more than the average bear, and I'm not scared to bet the farm on that gut feeling.
We are a people that let the small things just go by because it's a little uncomfortable and nobody wants to ruffle a feather. If you're quiet and you're watching it, you're just as much at fault as the person there. You're watching a victim be berated and you're standing by, knowing that feeling in your gut that it's wrong. Now you have a tool in order to change that.
I'm gut all the way, which is why I think I'm so connected to shows like Falling Water and even The Walking Dead, which is all about the mortal consequences of our actions. Generally, we act first and realize the consequences later.
I believe there are two types of decision-makers - those who lead with their gut and those who make lists of pros and cons, and fully anticipate the consequences.
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
The most obvious inspiration to be brave is that we all feel it: you can't have free expression right now in a very wide range of countries. It takes a lot of guts for writers and journalists in those countries to stand up against repression and do what they do. Russia is a case in point where, as you know, journalists have an embarrassing habit of being killed for their reporting.
It's nice that I can go on the road and there are more people to buy tickets. There are also more people to piss off who might not buy a ticket if I say the wrong thing. But I have to remember that if I stifle what my gut tells me to say in the name of "What if that person doesn't buy a ticket someday?" that's just not how I came up or how I thought. I have to consciously remind myself that even though things are going better now, I still have to be who I've always been. I can't get gun shy or scared about that.
It's so much worse to regret something you never did. It's often worth running through your fears to their logical conclusion to help disperse them. One footnote - if life has taught me anything it's to trust the shy people. Popularity means a lot of people like you a bit, you have broad appeal. But who wants broad appeal? Interesting people are always a bit niche. Remember what Steven Patrick Morrissey said: "It takes guts to be gentle and kind.".
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