A good woman is one who loves passionately, has guts, seriousness and passionate convictions, takes responsibility, and shapes society.
Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.
What I would say to filmmakers, if I may be so bold or so arrogant, is to draw inspiration from other filmmakers, but go to the place in your own gut where everything is nothing. That's a very Zen thing to say, but that place of nothing is where real creativity comes out of.
One of the hardest parts of writing is writing from the gut or the heart or something like that rather than intellectually.
I'm just always looking for something that I've never done, or something that feels unique and special. A lot of it is gut and what you emotionally connect with, and that can be a variety of different things.
I think the advantage we had with "MacGruber" is the speed we had to put it together. We had a such a short period to write the movie and such a post-[production] period, it was almost like the way that the show worked, where everything is happening so fast you have to go with your gut.
I fail all the time, but we are all just human and imperfect, but you know what's best for you, so follow your gut. That's probably my biggest life lesson, follow your gut.
Realize you can chase your dreams with just believing. Don't be afraid to believe in some magic; if proof not in front in of you, follow your gut.
If you feel something artistic, you need to get it out of you, do it. You gotta get out and play in front of people. You can't stay in the bedroom, get out sooner rather than later. Use your gut instinct.
People think you have this exciting and romantic life, because you project this exciting, romantic life on screen. But in reality you're just doing the same thing as everyone else - you know, sitting around watching TV with your gut hanging out, playing with your kid, or even sitting on the toilet. You know what's weird? Even I'm not that interested in my personal life any more.
If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.
Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
I look at what's going on in our society and what's pissing me off at the moment and I just get my basic gut reaction to that and that gut reaction usually becomes the title of the book.
Sometimes I get this gut feeling about people - maybe I sense a hidden agenda or that they care for the money more than the message. I wish that I'd listen to that feeling instead of waiting for the truth to rear its ugly head. I'm a smart girl. I'm loyal. But sometimes I'm too loyal. I'm not loyal enough to myself.
When I feel something in my gut, I can feel it physically. But my instincts seem to come from a different place - they feel headier to me, and I get the wrong scent, and go off on these whims where I think that something is happening when it's not.
I'm always intrigued by new challenges and things that I've never done before and new experiences. It sounds so simple, but the primary interest is just something that's good and instills within me some kind of gut feeling that feels like something that I'm passionate and excited about, and there can be multiple variables that can instill that. It can be simply a filmmaker, it can just be a character, it can just be the script, or a combination of all those things. But, I'm always just looking to do things that I've never done before, primarily.
I've been a performer for a long time and I know when people are laughing from their guts, from the inside, and when their tuxedos are laughing.
You don't want to think something might be racist, but it might be, because your gut is telling you it is
When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?
Follow your gut, make a choice, and throw yourself into it. If you make a mistake, then you have merely afforded yourself a valuable lesson.
Part of acting is having the security to turn yourself loose and let yourself go in order to reach whatever depths a character has. If your guts aren't hanging out there, you don't offer anything.
That's the sad thing about it, is that you don't know. And you certainly don't know when you quickly meet somebody. But even as you know somebody longer, it's really hard to know. Obviously you go on your gut feeling but that can be wrong too. ANd it's terrible to have to be wary about people, because it is not my nature, but I've been burned a few times and you just have to careful.
I and everyone else in this world live in what is probably the most difficult times that have ever been. We are facing total thermonuclear destruction; and, if you can make someone believe in a ghost or a demon or a vampire in the face of that, you are doing well. From my own personal point of view, I don't think just blood and guts is enough. At least, it isn't for me. Maybe it will turn someone's stomach; but, I'm not sure that is literature or even entertainment.
Go with your gut instincts even if it is contrarian to what the "experts" suggest.
You mustn't regret decisions that you make. Because the decisions are made out of your gut in a way and you have to stick with them.
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