Great Art is collaborative but not democratic. It’s OK to be the boss
So-Youn has good qualities in both jump and power, triple combination is her biggest strength and she also has great artistic value in her skating.
I really tried to work out hard to emulate the look and feel of the character, and did my best to represent the great artists that created him. At the same time, as an actor you have to find what you relate to in the character and make it your own, and hopefully people respond to it.
The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepen his understanding and sensibility, in growing through his pains.
The artists who the world has always recognized as the greatest are those with the widest sympathy. The greatness of the great artist depends precisely on the width and the intensity of his sympathy.
You've really got to get down on the floor with yourself and get low in order to make great art. I think you've just got to accept who you are and do the most unbelievable things.
One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
But Zarathustra made it clear in which direction the answer lay; it is towards the artist-psychologist, the intuitional thinker. There are very few such men in the world's literature; the great artists are not thinkers, the great thinkers are seldom artists.
I do not feel any artist can produce great art without putting great personality into it. It is always a piece of you that goes on the screen or the canvass.
Practically all great artists accept the influence of others. But... the artist with vision sees his material, chooses, changes, and by integrating what he has learned with his own experiences, finally molds something distinctly personnel.
All great art ... creates in the beholder not self-satisfacti on but wonder and awe. Its great liberation is to lift us out of ourselves.
Great art is deeply ordered. Even if within the order there may be enormously instinctive and accidental things, nevertheless they come out of a desire for ordering and for returning fact onto the nervous system in a more violent way.
The great artist takes what he needs.
It is the nature of carnivores to get power and then, having disposed of their enemies, to deploy the emollient powers of Great Art to make themselves look like herbivores.
Art is incredibly subjective. What is great art to one person isn't necessarily to another.
There are so many great artists, I think, who kind of suffer from being icons, legends, acknowledged masters.
It does not require great art, or magnificently trained eloquence, to prove that Christians should tolerate each other. I, however, am going further: I say that we should regard all men as our brothers. What? The Turk my brother? The Chinaman my brother? The Jew? The Siam? Yes, without doubt; are we not all children of the same father and creatures of the same God?
The great art to learn much is to undertake a little at a time.
I think that most great artists who are extremely known, as I am, would intimidate a lot of people. I don't want to do that to people, but I know I do.
We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.
The integrity of being an artist for Frank Stella means going into the unknown.A great artist is somebody who's not scared to reinvent themselves and to start all over again. And some artists do it once, twice, three times in their career. He's done it probably a dozen times or more.
Soul music has so many great artists who put their thing down. That's important.
A lot of great art comes from the Afro-American male experience. Black men are geniuses, and many times their desperation, their position as being pariahs, leads them to great originality.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
... what is important is not so much what people see in the gallery or the museum, but what people see after looking at these things, how they confront reality again. Really great art regenerates the perception of reality; the reality becomes richer, better or not, just different.
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