I always go into a blocking rehearsal with an anchor, with a blocking plan. And sometimes they'll step into the room and they'll be in costume and you're like, "That sucks, that's not going to work. Let's think of something new."
The visa thing can be an issue, if you're going to work for someone here make sure they will help you with this. However, so that you know what you need make sure you research the visa issue on your own. A 90 day visa is not a problem and I saw six month visas being offered through the Vietnamese Embassy in Cambodia, but nothing about one year visas or temporary residence cards. Of course you are probably aware that you need some sort of visa in advance just to gain entry into Vietnam.
We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.
I consider it an actor going to work with other actors. It's not a competitive sport, it's not to outact anybody else, sorta thing, you can be a bad actor but you don't outact anybody, you just bring your character as best as you can.
Things are going to happen whether you are there or not, you still need someone to push the button on the camera and get it and know it's going to work of the story.
If you're meant to do something like writing and you end up going into banking or finance, your going to be miserable. You're trying to fit something into a square peg and a round hole. It's just never going to work.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
There will be a focus on infrastructure. The American people had elected a builder to be President of the United States. We're going to work with members of Congress to move forward legislation to fund our infrastructure more effectively in the country.
A successful marriage is a decision. You decide whether it's going to work, and then you turn around and you've been married 45 years.
We have to be honest about the fact that not everyone who seeks to join our country will be able to successfully assimilate. Sometimes it's just not going to work out.
My administration is going to work with everybody in the African-American community in the inner cities, and what a big difference that is going to make. It's one of the things I most look forward to doing.
When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
If you go to former Yugoslav states, the Balkan states, Croatia, Serbia, Montenegro, Slovenia, the situation is dire. Not to mention Bosnia, which is just run like a colony. The way they used to stand up and sing hymns to President Tito, they now salute the EU flag. It's a very strange transition that we're witnessing in most of Europe, and I don't think it's going to work.
A Different World was run by black women, Debbie Allen and Yvette Lee Bowser. Lead writer Susie Fales-Hill was a hero of mine, because she was 28 when she was running one of the top shows on television. Going to work every day and seeing black women in charge made that normal to me.
I think some people who go into public life, if they go in needing the applause of thousands, they're never going to work out successfully in the end, because they don't know who they are apart from the crowds.
My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.
Just be nice to people and be someone people want to work with because if people don't like working with you it's just not going to work out.
But we're going to work on education, we're going to work on - going to stop - try to stop the crime, great law enforcement officials. We're not going to try to - we're going to stop crime. But it's very important to me. But this isn't Donald Trump that divided a nation.
Donald Trump is going to work on infrastructure, building the wall. He's going to farm leaders.
Some things are going to work, some aren't. But there's always something new going on, so it's fun to watch and see what's coming next.
We're facing growing climate change, more floods, more droughts, more crisis on a planetary level, and the systems we put in place in the twentieth century are just not going to work. We've run out of stuff. Our big problems are going to be energy supplies and food supplies. This is not a right-left issue.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
If somebody is considering being willing to go out and work in the field in global health, those are a particular class of heroes because it's hard to work in those places. Our foundation gets so many of our learnings from people who've been out there and seen, "this tool is not going to work there, there's more of a problem here than you know." You should really get involved in that.
Real income inequality is what we used to call striving and working hard to get ahead. Striving, educating ourselves, getting up and going to work, preparing, using our ambition, and, in that process, some people earned more and earned it sooner than others.
Most of my life, everybody made more money than I did at the places I worked. In fact, when I've been an employee, I have never been anywhere close to being the highest paid person there, never. I was working hard. I was working hard. I was doing things I didn't want to do, that I thought I should do. I was getting up every day, going to work, did not phone in sick. Striving. Trying to get ahead, you know, doing what Obama says, working hard and applying myself and trying to get ahead. There was always somebody, there were always a lot of people that earned more than I did.
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