When it was time to talk about Warcraft we took our time, we knew what the story was going to be, we had a field general in Duncan Jones. Same thing with Godzilla, we kind of measured twice, cut once.
Godzilla it's not a remake, it's our chapter. I think what I'm most excited about is all the principles that we laid out in the beginning, I feel like we were able to hit on those things.
When I hit the bong I'm Godzilla takin' over Hong Kong Eatin' wonton with a shotgun in long johns.
If Donald Trump and the Wicked Witch of the West had a kid, it would be Jayne-Anne. She looks like a librarian with some money and good taste in clothes but underneath the Verace, she's Godzilla with tits.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
He stomped away like a pint-sized Godzilla looking for Tokyo.
I know I screwed up my 'Godzilla.'
I met Jonah Lomu. I never knew how huge he was. I felt like a peasant in a Godzilla movie. 'Quickly! Tell the other villagers! We go now!'
Godzilla. The big, green G-man has had a profound influence on my creative endeavors and imagination since I was blueberry-avoiding kid.
With Godzilla, I've been a huge fan my whole life.
I mean Godzilla is eternally pissed off at everything but of course he's gonna be because every time he pops out of the water for a look around somebody is firing a missile at him. Buddha would probably have to act as a mediator between the people and Godzilla.
So that's Godzilla, he's ultimately going to get you regardless of what you do. Maybe the people who made the American Godzilla film were scared of that. They didn't want him to represent that, to represent something we couldn't deal with because, "We're American's, we can deal with anything".
You know that for sure because Godzilla was killed by an ordinary missile. He spends most of that film dodging them but then the Army finally gets a bead on him and they shoot a missile at him and he blows up and dies, and that's not what Godzilla is. Godzilla is supposed to be a thing that you can't possibly kill, no matter how hard you try.
I really thought Reagan was going to push the button and blow us all up. It was scary. So when they did the 1998 American Godzilla film, Hollywood didn't understand what Godzilla was.
I know Busta Rhymes for about a year now and we did a song together and we got an album together which is called "Godzilla vs. King Kong", which is going to be me and Busta. That was really the first time we rocked together on stage.
When I first started watching Godzilla, I was a kid and a big dinosaur freak and was like, "Oh my gosh, there's a big dinosaur." So I immediately got into Godzilla. What I like about it are some of the things people often think are negative aspects.
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