Big dress, cocktails, party - I love that. It is my work, but my work allow me to have glamour, to wear beautiful and amazing dresses, to go to big ceremonies.
European nations began World War I with a glamorous vision of war, only to be psychologically shattered by the realities of the trenches. The experience changed the way people referred to the glamour of battle; they treated it no longer as a positive quality but as a dangerous illusion.
While I believe that when you are in the glamour industry, you have to look your best, I also believe being skinny is not 'hot and happening.'
The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power. The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
I love regal looks on the Oscars red carpet. I just love old-Hollywood glamour. I love hair pulled back off the face, beautiful makeup...long sleeves are really elegant. The Oscars are not a place to be too flirty or fun or sexy.
I like California because it still has the glamour and romanticism and exoticism of a very foreign place. It was the place that when I was young, I was raised on "I Love Lucy" and listening to the Grateful Dead and reading Jack Kerouac. They, to me, were all symbols of this very foreign sense of promise and movement. After all this time here I'm glad I still have it.
I think we will become disenchanted with the glamour of globalization.
I think Hollywood has always, you know, there's always been glamour associated to it. And especially in the last ten years there has been a growing sort of obsession with celebrity life and celebrity culture.
I think my moment of revelation came when I saw this young man come on court in the most flamboyant clothes. He had a sweet smile and questionably blonde hair and a generally chirpy glamour that in fact concealed huge skill. When he was interviewed he confessed to hating to get angry and it was also said that he slithered out of winning when it came to the big matches. And I thought, My God! This Andre Agassi is the image of Howl in my book HOWL'S MOVING CASTLE!
I always had a sense of people and would talk with them. I talk to my doorman. I talk to everybody I work with. I enjoy it. I like being part of a real life. I love dreams. I love glamour. I love being invited to great places. But I don't really care if I go, as long as I'm invited. I get invited to so many things, but I'd rather go have a hamburger or see a movie.
I went from the glamour of working with Karl Lagerfeld and John Galliano to living on an isolated hilltop, with my husband gone most of the time.
When I was young, my knowledge of the literary world was a distorted tabloid sketch of dazzling fame, suffering genius, and tragic glamour. It was all very naïve. Of course, the only part of the stereotype that has proven true is the suffering and the starving. Now, my fantasy of scribbling poems in a tower is gone, but an anxiety about reviews, book sales, and awards has taken its place.
I always carry a good lipstick with me, like MAC in Ruby Woo. It has a matt finish, the essence of that vintage glamour look.
Those of you that think filming is all glamour, you're so wrong! Really, only the premieres are the glitzy bits.
My muses were all the incredible, iconic women of glamour in Hollywood that I have worked with over 15 years. Anjelica Huston, Michelle Pfeiffer, Gwyneth Paltrow, Lena Dunham, Viola Davis, Rihanna, Demi Moore.
Kim Kardashian is a kind of archetype. But she owns her beauty and is tremendously successful. There's no tragedy, there's no drug story. There's just her and her fame and her beauty. But Anna Nicole created that template of somebody that you'd want to watch on reality TV. Somebody that you'd want to invite into your home or as a role model, in terms of beauty and lifestyle and glamour.
I wore combat boots for two albums, then I went into more of the sparkle and glamour. The older that I've become, I've felt very connected to fashion, especially this past year working with [stylist] Kate Young and creating these relationships with people that I never had before.
It's not often that you get a chance in one role to do the glamour bit and then strip off all the makeup and reveal the real person beneath the façade. Usually, it's either a glamorous role or a raw, emotional role.
The main thing I like to do is have a mix of the '70s glamour and emulate a lot of ladies I love, like, Diana Ross, Chaka Khan, Donna Summers. I remember thinking that as a young girl, they were so cool and iconic. I missed that!
Part of the glamour of being a poet was always this long reach into the future. You knew you were managing time.
Parenthood seems really rewarding... like martyrdom, but without the glamour.
Glamour is beyond beauty and beyond age. It's like sex appeal. You either have it or you don't, but I don't think it's the end of the world if you don't have it!
Glamour is beyond beauty and beyond age. It's like sex appeal.
Acting wasn't even in my world at all. My oldest sister worked at 'Glamour' magazine and said I should model, but I had no interest.
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