If we knew exactly what animal life was like before the fall into sin and knew what nature was like before the law of entropy invaded it, we would already be living in heaven.
I knew from a very young age that there was something very wrong with me
I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.
Classic line from Bones (vampire) to human who thinks human kind is ready for the vamps and ghouls to come out of the closet "The day your kind stops killing each other over skin colour or which God someone prays to, I might believe that".
A human hires a hit man to kill his cousin for money, boring. That same hit man botches the job twice, funny. Then �the desperate hit man sends a ghoul after the girl to finish things up, my curiosity's piqued. That same ghoul ends up with his head cut off by a mysterious redhead . . . Ah. Now I'm interested.
Rodney the ghoul?...Oh, I liked him. He didn't get angry no matter how many times my mother insulted him.
But honestly... I just don't know what anyone's thinking. To me, that's scarier than any half-rotten ghoul trying to eat my flesh.
How would you take care of it?” I asked. He shrugged. “I know some ghouls. I make a couple calls, the guys come over for dinner, problem solved.” “They can put away nine whole giants? There’s that many ghouls in town?” “Probably not,” Leif admitted. “But whatever they do not eat tonight, they’ll take the rest to go.” I stared at him in disbelief. “You mean like a doggie bag?” The vampire nodded with a thin trace of a smile. “They have a refrigerated truck, Atticus. These are practical guys.
Without music, life would be a mistake... I would only believe in a God who knew how to dance.
The success of the film is down to the crew.
I am tired of the superficial smiles that adorn the many ghouls among us. I am tired of the righteous indignation that hides beneath those visages that feign our best interest and deign to think we cannot and will not stand for ourselves.
Prior to being mugged I did not feel I had to carry a gun. However, I knew how to shoot a gun very proficiently. As a boy, I used to play cowboys and Indians all the time.
John and I weren't capable of getting back to Kenwood from there, so the four of us sat up for the rest of the night as the walls moved, the plants talked, other people looked like ghouls and time stood still. It was horrific: I hated the lack of control and not knowing what was going on or what would happen next.
Nine-tenths of the people were created so you would want to be with the other tenth.
As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
But, it is hard too, because I want to do another action film. Believe it or not, it was fun.
Working on a film, you don't get time to develop rivalries, but the theatre is like a little village, and the differences between me, Lionel and Georgia grew.
It's called "Pickman's Mephitic Models," based on the story [Pickman's Model by H. P. Lovecraft].Certain things about it many people don't realize. Pickman was a real painter who lived between 1888 and 1926. Now, there's a question mark [gesturing toward the writing in the margins of the painting], because Lovecraft claims that he turned into a ghoul. God knows how old he is now.
The strength of the vampire is that people will not believe in him.
Memnoch the Devil happen to be my favorite of all The Vampire Chronicles.
It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.
The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.
Through the ghoul-guarded gateways of slumber, Past the wan-mooned abysses of night, I have lived o'er my lives without number, I have sounded all things with my sight.
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