I'm probably a lot closer than perhaps the contents of my early fiction suggest to a jaded Denny's waitress with smoker's-lung-black humor than a ghost hunter.
Sometimes, when you're writing sentence by sentence, you're not really sure what footprints you're going to fall into, or what ghosts might appear.
I see the relationship sincerity/humor differently. Instead of seeing a balance between them, I see them more inextricably linked, as if one is the hard candy shell that gives to the other, or one is the apparition, the ghost-image that invokes the other.
For Kenya: we have a chance to start again each time we meet one another. The ghosts do not need to define the future.
Even if we want to eradicate our ghosts, our dead, our murdered, even if you erase a name and the record of the existence of a person, somebody remembers.
The typical WW1 soldier was not an intellectual like Ernst Jünger or Wilfred Owen, but was a peasant draftee from Galicia or Bavaria or Sicily, with all the traditional religious ideas. The hothouse atmosphere of war brought everyone into a supernatural-oriented universe of ghosts and apparitions.
Apocalyptic expectations ran riot in 1917, and had a major influence on Allied policies towards Palestine and the Jewish people. The propaganda of all nations was amazingly religious and apocalyptic - ghosts and visions, crucifixions and sacrifice, crusaders and holy warriors.
I think there's just so much awesome music coming out of New Zealand, I've always loved The Naked And Famous, I absolutely love Ghost Wave... it just seems like there's a really cool scene happening out there, I'd love to go and spend some time there and see what other bands are popping up.
I've had a couple of ghost experiences, but I'm not a big fan of the spiritual side of things, of the ghost type thing. I don't know why, maybe it freaks me out a bit, or I'm more into tangible, physical beings rather than things that can pass through walls.
When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
It's a funny thing because it's what the people say when they come across a ghost situation is that it does freak you out, but then you do get over it - for some reason you're not scared to come across it again.
I've never really been into ghosts or spirits, and I've only had a couple of those kind of experiences.
Ghost tells me every few years, Yo, you showed me this style ... I'm like, man, we the same style. At the end of the day, he's one of my favorite rappers, I'm one of his favorite rappers, and we just do it.
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
In quantum physics, the study of material at the subatomic level, you get down to the tiniest levels. When they take these subatomic particles, put them in particle accelerators and collide them, quantum physicists discover there's nothing there. There's no one home - no ghost in the machine.
And with this show we're trying to be a little sillier. We can do a piece like one we wrote the other day called "Ghost Busters Busters". Where would never do that in a million years on Mr. Show, but somehow on this show it's silly and stupid and a little more disposable, so we can do something like that.
Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.
I'm a really spiritual person and I've never experienced anything. In fact I'm thinking of taking this ghost tour in Philly.
When I walk around New York now, there are so many ghosts. I find it very uncomfortable. There were many hard years, and I never really achieved any kind of comfortable financial success, so I just associate it with struggle. When I had a chance to get out, I was elated.
If the mind is illumined, there is clear blue sky in a dark room. If the thoughts are muddled, there are malevolent ghosts in broad daylight.
In whatever you do, if you leave a sense of incompleteness, then Creation cannot resent you, ghosts and spirits cannot harm you. If you insist on fulfillment in your work and perfection in achievement, you will become either inwardly deranged or outwardly unsettled.
The church for too long has followed Casper, the friendly ghost instead of seeking the fire of the Holy Spirit. We have turned limp at the thought of our own cross; we faint when we think of suffering or sacrifice. Beloved, it is time to embrace the fire of God's Presence. It is the fire that purifies our sacrifice.
The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.
If we were controlling the performance, we never would have had someone push a button to make the pellet stove come on during a climatic moment. And after the loud pellet stove moment, which is like a Todd Haynes's Safe interruption into the home and into the narrative - as if the home is a like a ghost surrounding the characters - her performance changes entirely.
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