Patrick Rothfuss gives us a fabulous debut, standing firmly on the main stage of the fantasy genre and needing no warm-up act. Jordan and Goodkind must be looking nervously over their shoulders!
Im a huge fan of the James Bond genre.
I've never been able to control a first-person shooter, but as soon as I used the Revolution controller, I found it very easy to control the game. So, I think that's a genre that's particularly well suited for the controller.
If I see another game that involves a kidnapped princess, queen, king or other royal family member, I'll scream. In the same vein, I think the karate genre has been done to death.
The purpose of concept art as a genre is to unbrainwash our mathematical and logical faculties.
Memoir is actually the most egoless genre, even though it might seem ostensibly so much ego-driven. In order for it to succeed, you have to dissolve the self into these larger universal truths, and explore these deeper mysteries. If it’s purely autobiographical and ego-driven, it’s going to fail.
When you strip away the genre differences and the technological complexities, all games share four defining traits: a goal, rules, a feedback system, and voluntary participation.
Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.
Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!
Gay is a subculture, a slur, a set of gestures, a slang, a look, a posture, a parade, a rainbow flag, a film genre, a taste in music, a hairstyle, a marketing demographic, a bumper sticker, a political agenda and philosophical viewpoint. Gay is a pre-packaged, superficial persona-a lifestyle. It's a sexual identity that has almost nothing to do with sexuality.
I’ve never used music to sell my faith and I’ve never used faith to sell my music. I think they are both intrinsic parts of who I am. We’ve always tried to define our music outside of genres…what is a genre? A genre’s a cage or a box and for us our music is best with fangs and some claws running free in the wild.
I feel most comfortable keeping versatile when it comes to music genres.
My folks have played everything from rock, disco, pop, funk, and blues. My dad has always brought and played different genres like jazz, classical, and Latin. With all this in my pocket, I feel I have a taste of everything for my influences.
COIL would very much like to see the creation of a newsgroup for minimal musics. We enjoy a wide spectrum of such musics, from La Monte Young, Alvin Lucier, Arvo Part, Nurse With Wound's Solilique For Lilith,The Dream Syndicate (orig.concept not the newer group who plundered the name) to Synus, Earth and so on.and on and on. Some new so called ambient musics fall between genres and so between newsgroups: some of our own music has certainly been deeply inspired by and informed by such musics,from Partch to Subotnic.
At any one time language is a kaleidoscope of styles, genres and dialects.
From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.
The excellence of this important contribution to genre literature CANNOT be overstated A masterwork.
The superhero genre speaks to a vast swath of humanity these days, and studios are in the business of constantly renewing their money-printing licenses. I sense we're nearing a saturation point with some of these icons, where it becomes more about the action figures and Happy Meals than it does the mythological heartbeat of the core ideas.
Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes.
Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.
If Im going to invest the time in a novel, I want something more than the entertainment you get out of most genre fiction.
Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.
My paintings are loosely based on meta narratives. The pictures float in and out of pictorial genres. Still life's become personified, portraits become events, and landscapes become constructions. I embrace the area between which the subject is composed and decomposing, formed and formless, inanimate and alive.
Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know.
Hope's Folly is a rapid-fire romp through futuristic political intrigue and high-risk passion The tug of war between decorum and passion keeps the romantic intrigue smoldering. With Hope's Folly, Linnea Sinclair builds on a secure reputation as a leading fashioner of science fiction romance. She straddles and blends these genres with a unique bravura and wit.
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