I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.
It's really hard to find just a simple character-driven drama, outside of a genre, that was available to direct, except for on TV.
In the horror genre, unfortunately you sometimes have the studio tell you, "No, go with more unknown people because it's a scary movie," and I disagree.
So I get all the references and I totally get the humor and it's really fun. This - it's kind of a mash up of so many different genres and things that kind of, sort of are just part of youth culture right now. Music and action and video games, and it's kind of amazing to see it all piled into one film.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town.
I've always been a sci-fi geek, and I've always loved it. It's my favorite genre of all. The irony of ironies is that, in my early career, I just really never worked in it. "Star Trek" was very interested in me, partially because I did "From the Earth to the Moon," and I was really interested in them, but the timing just never worked out.
I ended up working on "Chicago Hope" and other things, but always with the idea that, eventually, I would want to take what I'd learned in character drama and try to apply that to the genre that I love, which is science fiction and "The Twilight Zone" type mysteries.
I don't have a favorite genre. I mean, I always sort of base it on instinct. And it does seem to be that after I finish something that is very dramatic, I end up inevitably wanting to do a comedy or something like that.
The excitement about independent filmmaking is that they're a little more open to taking chances. The studios are a little more careful, as far as who they choose for their film and what they're known for and staying in the genre because they know what works.
The great thing about sci-fi is that the fans and the audience are unlike any other genre out there. They are constantly looking for great content and good stuff. They don't care where it comes from, they'll latch onto it.
Well, you always worry about being pin holed. I haven't been yet. You always worry about that, no matter which genre you do. Luckily for me so far, every time I've done a movie it's been a completely different genre.
I like doing whatever interests me. It's a challenge for me to try to make good comics out of any genre I tackle. I trust my instincts in getting me through the more difficult genres for modern readers, like violent crime or horror stories.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
It doesn't matter the genre or type of art, if it's authentic there's an apparent beauty to it and as an artist, that's very inspiring.
You ever hear guys with small cocks talk about sex? Can't talk about it enough. They even got poems. They'll say, 'It's not the motion of the ocean, it's the boat of the lotion.' I've even heard variants..., it's not the tree or the size, it's the axe that you wax.' It's a whole sub-genre of poetry now that's taught in many of our finer institutions.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
When I first put out music, people didn't know what I looked like. They called it a new type of something, they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
Documentary photography has amassed mountains of evidence. And yet... the genre has simultaneously contributed much to spectacle, to retinal excitation, to voyeurism, to terror, envy and nostalgia, and only a little to the critical understanding of the social world.
All words have the "taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived its socially charged life.
Action comedy, if you can get it right, it is, for me, a particularly brilliant genre. It really is.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
I am impressed when music matters, when genres are broken, when spirits are lifted, when people make a difference, and when people are true to themselves.
I've always been a prog rock fanatic, even before Vengeance. However I think I started to love the genre with Pink Floyd, yeah. I love them from the very beginning, also the Syd Barrett era.
But I don't have anything to prove. My reputation is what it is. It seems that a lot of gay men are put off by jazz because either they don't believe it speaks to their own experience or they believe the genre itself to be somehow intolerant of homosexuality.
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