[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.
Mel [Gibson] could stage physical comedy and put the camera in such a way... I mean, we did some really funny stuff, and he had some great ideas about how to do it. It was a delight to work with him in that regard.
You never think of films being really creepy that you're in because you just remember the funny stuff.
I listened to my first comedy album in 6th grade. It was Bill Cosby. My brother and I would play it over and over on a Fisher Price record player. A friend in high school also introduced me to Richard Pryor. I wasn't writing material back then, but I would say funny stuff. I was good at making fun of people's moms. If I knew something personal about you, it would be used against you.
We [me and my husband] both had our things. Seth was the artist, I was the singer. We were like "You do your thing, I'll do my thing and never the two shall meet." I think we had a healthy competition going through our childhood. But I sort of left the funny stuff to him, I said "You're the comedian, you're the jokester, you do that I'll be the more serious one." You need that kind of balance in the family.
Since the goal of my programs is to show audiences how humor can both help them heal as well as deal with not-so-funny stuff, I decided to discuss the events of the previous week, the pain all of us were feeling, and how humor and some laughter might be beneficial.
Champagne's funny stuff. I'm used to whiskey. Whiskey is a slap on the back, and champagne's a heavy mist before my eyes.
I started finding humor in everything. I used to watch a lot of TV, and I finally figured I didn't need to watch TV to find funny stuff. I just watch the commercials. I mean, the commercials just blew my mind.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
Writing is very difficult. You have 120 pages of blank paper and it's like, "Go fill that up with some funny stuff," and that's challenging.
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