I have spent a great deal of my life being part of minorities. Some of the people I admire the most in the world have had the courage to defend, against wind and tide, minority viewpoints in those frightening times when any disagreement with universal conformity is identified as treason.
I believe in the limitlessness of humans. We're capable of incredible things. At times, that realization is frightening.
Indeed, one of the most frightening consequences of the Holocaust may well be that rather than serving as a warning to preserve humanity at all cost, it has provided a license to privilege physical survival over moral existence.
It is the utterly destructive quality. When you say vanity, you are thinking of the kind that admires itself in mirrors and buys things to deck itself out in. But that is merely personal conceit. Real vanity is something quite different. A matter not of person but of personality. Vanity says, "I must have this because I am me." It is a frightening thing because it is incurable.
You've got these twenty million people who call themselves the Evangelical Christians who will put their hand up and say, I believe in the devil, I'm against abortion and gay rights, and we have to blow up the world. It's frightening.
Frightening for many artists is promoting themselves. They feel it is... artificial and not what we want to be known for. Yet if we start thinking about what we do as important and important to offer to people, not to sell... it allows us to shift the way we think about promoting ourselves.
The elements in a relationship which seem impossible to share, the secretly disturbing, dissatisfying elements, are the most rewarding to share. This is a hard, risky, frightening thing to learn, and it needs to be re-learned over and over.
Rock & roll is dying. It’s frightening to think about the music scene 20 years from now.
There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
Fathers have a special excitement about them that babies find intriguing. At this time in his life an infant counts on his motherfor rootedness and anchoring. He can count on his father to be just different enough from a mother. Fathers embody a delicious mixture of familiarity and novelty. They are novel without being strange or frightening.
We are neurotically haunted today by the imminence, and by the ignominy, of failure. We know at how frightening a cost one succeeds: to fail is something too awful to think about.
UNMARKED is both gorgeous and hideous. A frightening and disturbing tale spun with great beauty. Absolutely riveting.
We say, 'Shall we meet for a drink?', as though drinking were the main end of the appointment, and the matter of company only incidental, we are so shy about admitting our need for one another.[...]We say, 'Would you like to come for some coffee?', as though it were less frightening to acknowledge that we are heavily dependent on mildly stimulating drinks, than to acknowledge that we are at all dependent on the companionship of other people.
It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.
How frightening, that one person could mean so much, so many things.
How frightening it is to have reached the height of human accomplishment in art that must forever borrow from life's abundance.
I have come to the frightening conclusion that I am the decisive element. It is my personal approach that creates the climate.
Polygamy and polyandry distribute the frightening physical solidarity of monogamy. Monogamous couples are always hungry for company: to dilute sex.
Indeed, in Russia there is a terrible poverty of facts, and a terrible abundance of reflections of all sorts.
This is a time when it is frightening to be alive, when it is hard to think of human beings as rational creatures. Everywhere we look we see brutality, stupidity, until it seems that there is nothing else to be seen but that--a descent into barbarism, everywhere, which we are unable to check. But I think that while it is true there is a general worsening, it is precisely because things are so frightening we become hypnotized, and do not notice--or if we notice, belittle--equally strong forces on the other side, the forces, in short, of reason, sanity and civilization.
For one who has read the works of Marx it is frightening to look back at the grim determination with which so many nations steadfastly hewed to the very course which he insisted would lead to their undoing.
When something original works, then everyone wants to copy it. But if you're trying to do something that no one's ever seen before it's frightening.
Health is so important now, it's ridiculous - the body has become frightening, this thing that will kill you if you don't keep really healthy. The body is the enemy now.
I do find it therapeutic, writing about stuff that was frightening and painful as a child, and managing to see it from an adult's point of view. To get it out of the closet onto paper, metaphorically speaking, is therapeutic.
The body should not just be something you see. It's also the inside of it. It's frightening and abstract and much more than pretty or not pretty. The shape of it is boring.
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