It was an identity crisis. I was born and raised in France, but I never really felt French, so I needed to find something that I was more connected to. I used to go back to Tunisia every summer, but I was more into the language, my Arabic roots.
In France, they make you feel that you cannot be two things at the same time. You can't be French and Arabic; you can't be French and Muslim.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
I was a professional chess player in Romania, but only a small-time master. When I came to France, I continued playing chess for many years: I played tournaments in numerous countries with mixed results. I wrote and published a book - La Défense Alekhine and translated two others from Russian. I taught chess in schools; I earned more money through chess than through literature.
I had just had a daughter, who was three or three-and-half years old, and I had been watching nothing but cartoons. That's really it. There was no YouTube. You're in France and you're raising a kid, so you break out the Tex Avery.
I started going on ski trips at senior school. I can't remember exactly where but we skied in the Tirol in Austria a couple of times and also went to Val d'Isère in France. When I was 15, rugby took over and there wasn't time to ski any more. I didn't ski again until I was 33.
Every major country on earth, whether it's the U.K., whether it's France, whether it's Canada, has managed to provide healthcare to all people as a right and they are spending significantly less per capita on health care than we are. So I do not accept the belief that the United States of America can't do that.
But joint pressure from states like Germany, Italy and France could mean a move in this direction. Because something very fundamental is on the line: freedom of movement. I can't think of any common market that could function without it.
What King Abdullah of Jordan said is essentially the war against ISIS is a war for the soul of Islam. And it must be Muslim troops on the ground that will destroy ISIS, with the support of a coalition of major powers - U.S., U.K., France, Germany and Russia.
Living in France means I see the UK in snapshots. There is something quite nice about being in exile and the things you remember about places tend to be the most vivid details. You don't get that when you see somewhere every day.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
That's more about lifestyle [Peter Mayles], living abroad. It's about buying a donkey and house in south France, and that's a slightly different thing. A very popular genre but that's not quite my thing.
I slightly feel, having written Paraguay and Newfoundland - and both of them have developed eccentricities through isolation - I am quite relieved to be back in France and Germany, and I want people to enjoy these books for the writing and not because they feel they can laugh - some will laugh - at these eccentric places, that's not what I intend.
I spent some time in France, visited Egypt and Mexico City. I hung out, biked around, planted some tomatoes. I did everything except wake up in a new town everyday. It was really boring. It's just life.
I find it pretty fascinating how humans keep gravitating towards these giant centers. I went to this walled medieval village in France this year, and it was truly the most crazy, beautiful, bizarre place I've ever been.
I find her [Frances Trollope] simply delightful, even in her prejudices and cantankerousness. It is a gift to an author to find a funny, wry, perceptive contemporary observer to whom the subject matter seems almost as different and alien, and requiring as much struggling to understand, as it did to me.
The basics of acting are really better in America than in Europe. Just the basic "fake laugh" is impossible to get in France.
In France, anyone can use your music on like a TV show or whatever - they don't need to ask permission. It's almost like a child when it has its own life.
In France a lot of songs were ruined by their associations with commercials. But so far no Apple commercial has ruined a song for me.
At the time, in 1996, an electronic band signing with a major label was something new, at least in France. Daft Punk knew that this meant a marathon of promotion, TV appearances, etc. To protect themselves and to be discrete, they came up with the masks and, three years later, the robot helmets.
In places like Germany or France the idea of black-white is not so much black-white but "our people and them," and "them" can be people from the near east like Turks or Muslims or North Africans, all of whom might well be considered white in the United States.
I had very, very little training in taking an exam to determine a scientist's life in France.
In fact, I barely missed being number one in France in both schools. In particular I did very well in mathematical problems.
I spent my time very nicely in many ways, but not fully satisfactory. Then I became Professor in France, but realized that I was not - for the job that I should spend my life in.
It was a very big gamble. I lost my job in France, I received a job in which was extremely uncertain, how long would IBM be interested in research, but the gamble was taken and very shortly afterwards, I had this extraordinary fortune of stopping at Harvard to do a lecture and learning about the price variation in just the right way.
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