Out of the formless the forms appear.
If you give a child something very complex to paint, such as a bouquet of flowers or a natural landscape, if he is very good, eventually he will get back - like Cezanne - to the essential forms of what he sees.
There are forms that can only be seen when you are near a painting, others only appear when you are far away.
Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
The most important things in a painting are Form and Value. Color comes last - like a friend you welcome.
The artists of Asia have spiritually realized form, rather than aesthetically invented or imitated form, and from them I have learned that art and nature are mind's Environment within which we can detect the essence of man's Being and Purpose, and from which we can draw clues to guide our journey from partial consciousness to full consciousness.
Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through.
Every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.
When the conception of internal form is governed by edge, color appears to remain on or above the surface. I think, on the contrary, of color as being seen in and throughout, not solely on, the surface.
I'm not interested in edges. I'm interested in the mass and color, the black and white. The edges happen because the forms get as quiet as they can be. I want the masses to perform. When I work with forms and colors, I get the edge.
Colour acts simultaneously with form, but has nothing to do with form.
Form is expressed in the light tones by dark accents, in the dark tones by light accents.
Draw with the brush. Carve the form. Don't be carried away by subtleties of modeling and nice pigmentation at the expense of losing the form.
I often use colour to attack form, to break it down a little or begin to dissolve it. But I am not at all interested in 'pure' colour or in colour as a transcendental presence... So if I use colours to begin to dissolve forms, I also use forms to prevent colours becoming entirely detached from their everyday existence.
So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.
There are three kinds of forms in the human figure: Ovoid forms - egg, ball and barrel masses; Column forms - cylinder, cone; Spatulate forms - box, slab and wedge blocks.
Lying is the most simple form of self-defence.
Lord Shiva is seated deep in everyone’s heart. He is Nirguna (One who is without form or its attributes). He is Nirakaar (Has no shape or form), and He is the Para-Brahman (Supreme transcendental Consciousness) that is all pervading. Believe in this. This is Rudra Puja
Gardening requires lots of water... most of it in the form of perspiration.
There are three forms of visual art: Painting is art to look at, sculpture is art you can walk around, and architecture is art you can walk through
Experience hath shewn, that even under the best forms of government those entrusted with power have, in time, and by slow operations, perverted it into tyranny.
I think music is the greatest art form that exists, and I think people listen to music for different reasons, and it serves different purposes. Some of it is background music, and some of it is things that might affect a person's day, if not their life, or change an attitude. The best songs are the ones that make you feel something.
I've been playing Texas Hold 'em and other forms of poker since I was about 12.
Irony is the form of paradox. Paradox is what is good and great at the same time.
Language is the dress of thought.
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