Out of five hundred who speak glibly of love, not one can spell the first letter of his name.
One of the happiest days of my life is when I made five or six hundred pesos from a crop of watermelons I raise all on my own.
Friends, both the imaginary ones you build for yourself out of phrases taken from a living writer, or real ones from college, and relatives, despite all the waste of ceremony and fakery and the fact that out of an hour of conversation you may have only five minutes in which the old entente reappears, are the only real means for foreign ideas to enter your brain.
I've never been a fast reader. I'm fickle; I don't finish books I start; I put a book aside for five, ten years and then take it up again.
Voluptuaries, consumed by their senses, always begin by flinging themselves with a great display of frenzy into an abyss. But they survive, they come to the surface again. And they develop a routine of the abyss: It's four o clock. At five I have my abyss.
In this year 1634, I purchased the moiety of thirteen houses in the Strand for five hundred and thirty pounds.
I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.
The five different areas in which boys are in crisis - education; jobs; emotional health; physical health; and fatherlessness - are handled by different portions of the government.
Nobody's going to tell me how to be different, so stop asking me. Stop asking me what two-plus-two is. Everybody knows two-plus-two is five.
My first year in baseball, there were only one or two reporters. My second year, I got to the Triple-A playoffs, there were four or five. When I came up in 1984, I never saw so many people.
I make it a rule always to believe compliments implicitly for five minutes, and to simmer gently for twenty more.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
I've got five or six unpublished stories kicking around looking for somebody to buy them.
My problem with new writers is that it takes me five or six years to memorise the right names.
I can tell if someone is talking to me because I'm on 'Friends' or cause they just think I'm neat. You know I don't think I've ever spent more than five or ten minutes with somebody who was ogling me because they recognized me from the show.
I learned that when something just has to be said to move the discussion along, or broaden it or deepen it, if I can just keep my mouth shut for five minutes a student will say it. So for me a lot of teaching is about keeping my mouth shut.
I was once stranded on a broken-down boat in shark-infested waters in the middle of the Indian Ocean for five days before we were rescued while doing a 'Vogue' shoot.
The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.
It's like, no matter what I do, I always feel like I'm five years old, and I end up in the back of my father's car looking out the window, and nothing has changed in 25 years.
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.
The nature of the movies is different than it was five years ago, and they're all driven by the possibilities of CGI, which means you can make anything happen on screen that you can possibly desire.
I'm on the air five hours, and I blurt out anything in my head. Dangerous? Maybe.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.
In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
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