A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
It's always been my formula to get the next picture set up before anyone's seen the last one.
My cousin Malcolm Lee is also a filmmaker.
I'm actually part of a number of minorities. I grew up being a horribly awkward kid. A terrible student. And now I find myself as a filmmaker, and you feel kind of alone in the world because you're separate from everyone else.
Drama is life with the dull bits cut out.
We are here predominantly to support independent filmmakers and their needs. We are also here to assist people actually in their production, non-commercial people in their production.
I dont find myself lobbying for projects. Filmmakers almost always come to me.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
The filmmaker's got to make it his story and the actors have got to make it their story.
I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to.
I feel like I'm a filmmaker; I don't feel I need to yell 'action' and 'cut.'
I like Spike Lee a lot. He's incredibly gifted and I don't think he gets the credit he deserves as a filmmaker.
The filmmakers who I'm pining to work for aren't ringing my phone off the hook.
For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
Well, I think one of the reasons Chicago became so popular as a filmmaker location is because New York had been used so many times that Chicago, I think, was rediscovered maybe in the late '60s, early '70s for a long time as a new location.
What I always tell people is... Unless you are so passionate about filmmaking that you would rather live out of your car than not do it, find something else to do as a career and do filmmaking as a hobby. This industry is one of the hardest to break into and be successful. It takes a lot of passion and dedication for it to get anywhere.
I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
A filmmaker has almost the same freedom as a novelist has when he buys himself some paper.
Everybody's a filmmaker today.
Films are always pretentious. There's nothing more pretentious than a filmmaker.
As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
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