Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even.
The filmmakers always have a great level of control.
Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.
I had pictured myself as a filmmaker but I had never pictured myself as a director if that makes any sense at all.
I am the luckiest filmmaker I know.
I think filmmakers want their movies to be seen.
With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
I'm only a stupid filmmaker.
An Oscar means a lot of things because it's like the ultimate award for a filmmaker so it feels great. But I think you have to consider awards with some distance and not get obsessed with it. When you're creating you shouldn't think about it.
I'm not a politician; I'm lucky to be a filmmaker and to be able to express myself through the films I make.
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
When I was young, my idea was to become a filmmaker.
Every technology that comes into filmmaking is first a gimmick. Think about sound with 'The Jazz Singer' or the first colour or surround sound - it takes a while for filmmakers to understand how to use it.
And Later I Thought, I Can't Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
All I need to make a comedy is a park, a policeman and a pretty girl.
A film is a petrified fountain of thought.
Movies took you right up to the edge but kept you safe.
A Director Makes Only One Movie in His Life. Then He Breaks It Into Pieces and Makes It Again.
I don't try to guess what a million people will like. It's hard enough to know what I like.
If a Million People See My Movie, I Hope They See a Million Different Movies.
The end of a picture is always an end of a life.
I think maybe making films is something innate you can't really teach to begin with.
I believe in destiny. But I also believe that you can’t just sit back and let destiny happen. A lot of times, an opportunity might fall into your lap, but you have to be ready for that opportunity. You can’t sit there waiting on it. A lot of times you are going to have to get out there and make it happen.
I was approached by the filmmakers. I didn't know much about the project ["Selling Isobel"], and the more we talked, the more they started to confide in me. I read the script and thought it was really interesting, and then a week later I discovered that this wasn't just any old script, this was actually Frida's [Farell] story and she was trusting me to tell it. I felt very privileged.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: