Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that.
The essence of drama is that man cannot walk away from the consequences of his own deeds.
Writing is the hardest work in the world not involving heavy lifting.
I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.
You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success - but only if you persist.
Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.
Plotting is like sex. Plotting is about desire and satisfaction, anticipation and release. You have to arouse your reader's desire to know what happens, to unravel the mystery, to see good triumph. You have to sustain it, keep it warm, feed it, just a little bit, not too much at a time, as your story goes on. That's called suspense. It can bring desire to a frenzy, in which case you are in a good position to bring off a wonderful climax.
Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times already – that writing is harder. Lonelier. And nobler and more enriching.
Writing a novel is like heading out over the open sea in a small boat. It helps, if you have a plan and a course laid out.
Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
If you have talent, you will receive some measure of success - but only if you persist.
Writing is 1 percent inspiration, and 99 percent elimination.
Everybody walks past a thousand story ideas every day.
If you're not failing every now and again, it's a sign you're not doing anything very innovative.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
Fiction writing is great. You can make up almost anything.
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
Fiction is the truth inside the lie.
Don't try to figure out what other people want to hear from you; figure out what you have to say.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.
I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't.
I love deadlines. I like the whooshing noise they make as they go by.
Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
When in doubt, have a man come through the door with a gun in his hand.
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