I've always felt a little different than everyone - you know, most of the other kids in my class - and I didn't quite see things the way they did or I didn't experience things the same way they did. I often felt a little bit like an outcast.
I landed on Gay Pride and I couldn't believe my eyes! Not only were gay people real - I had only heard rumours - but they had parades. There were men covered in glitter bound together with furry handcuffs. I felt like I was in outer space, I honestly thought I had arrived at the happiest place on earth.
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
If I waited until I felt creative, I would never have had a career. I long ago learned that a day that starts out badly, when nothing comes out on the page or comes out wrong, can suddenly turn into a good day a few hours later, when suddenly everything starts to click. The brain can be cajoled into being creative.
I've always felt that my subject was living in dangerous times.
Once I discovered the endless fascination of doing the research and of doing the writing, I knew I had found what I wanted to do in my life. Every book is a new journey. I never felt I was an expert on a subject as I embarked on a project.
I only painted when I felt like it and needed money. But it never really became a professional thing, even though the dealers would have liked that.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
I felt I had a responsibility to do the right thing. And then I wanted to do the right thing by my family and there was no handbook.
I am half-Jewish, and yet really hadn't been brought up within the Jewish faith. So I had felt culturally Jewish, if that's possible, without really understanding it.
While wrestling in college as a junior it came to a point where wrestling just wasn't enough for me anymore. I love wrestling, but I felt like I was missing something, and so the striking part about MMA, the boxing and kickboxing, was what got me really interested in MMA. I saw it on TV and I just knew that I wanted to do it.
I don't mind making a fool of myself. I felt like people would be accepting of that because, to me, that seems like an interesting way to do a show. I've always thought that it's interesting to watch people work things out on stage.
Sorry, investing was pretty boring and I really missed being part of building something. I felt like I was always standing on the sidelines, so Zappos... really liked the people there and got involved full-time and I've been full-time ever since.
When you go to bed at night, you get seven or eight hours of sleep. I've had enough sleep. I've rested, and it's as simple as that. I want to do it now. I didn't want to three years ago. I was waiting until it felt right. I wanted to get back to falling in love with my guitar again, and hanging out with my guitar like I would a friend.
I'd always rather stand or fall on my own mistakes. There's nothing worse than looking back, in a published book, at a line edit or a copy edit that you felt queasy about and didn't want to take, but took anyway.
I've always loved films, and I always felt like a storyteller. I left Norway after high school and moved to Manhattan and went to film school in Manhattan. That's when I really found out that this was my calling and what I wanted to do.
I've always felt that the poems I've written which have historical context are hopefully not just simply plucking something out of history and saying great, let's write about that. In every case what has happened is that I've become fascinated or haunted by something and couldn't shake it.
When 9/11 happened, the world, certainly in the United States of America, there was a unity. There was this sense of unity. And I have to say just from a personal level, it really felt good. We all felt the same way.
I played Iris Murdoch, who had not long died, and I felt the responsibility very heavy on my shoulders.
I felt quite a responsibility when I played Elizabeth I but nobody here remembers her! And then I felt a responsibility when I played Queen Victoria but not many people remember her.
We talked about trying to create an image that would somehow, to an audience, create the sense of awe, wonder and shock that the troops must have felt that their monarch - and a female monarch - went to the frontline of battle and was prepared to lay down her life. This speech is so well known and has been done in virtually every version of the events of Elizabeth's life.
My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
I felt [It Runs in the Family] it was a picture that, after I'm gone, my family would like to see it. It was a wonderful mixture of people in my family.
When the identity is realized, I as swordsman see no opponent confronting me and threatening to strike me. I seem to transform myself into the opponent, and every movement he makes as well as every thought he conceives are felt as if they were my own and I intuitively...know when and how to strike him.
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