Everything becomes closer once you realize that the world is only as far away as a nap and a meal.
What I wanted to do was drown something enormous, like a Star Trek or Star Wars kind of space opera-type thing, but actually make it about someone who was just married to the wrong guy, and that guy just happens to be this amazing dictator, and she has to get her kids as far away as possible from this guy. So something that could almost be a TV movie, if you'd ground it and set it in Wisconsin or something like that, but to give it this enormous setting.
There are very complex shapes which would be the same from close by and far away.
If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.
Self-similarity is a dull subject because you are used to very familiar shapes. But that is not the case. Now many shapes which are self-similar again, the same seen from close by and far away, and which are far from being straight or plane or solid.
If you look at coastlines, if you look at that them from far away, from an airplane, well, you don't see details, you see a certain complication. When you come closer, the complication becomes more local, but again continues. And come closer and closer and closer, the coastline becomes longer and longer and longer because it has more detail entering in.
Once you're a mom, whether you're kids are next to you or far away from you, you're always a mom.
You walk a fine line when you have a performance at a show just as you do with having celebrities attend a show - you never want the attention to be drawn too far away from the clothing.
The question becomes, because we're remotely far away from the territory we're about to bomb, does it make it easier to do it? That it is an important question, and the military is asking those questions.
What do you want to do sadhana for? The aim should not be the satisfaction of egoism: "I want to be a great yogi; I shall have so much power and with that power I shall establish myself in the world." All such thoughts must be thrown far away.
NATO was a wonderful idea. It was formed in 1949. We are as far away from NATO as NATO was when it was done in time from the presidency of Grover Cleveland.
The saying "the business of art is different than the purpose of art" makes sense, and what are you going to do about that? You have some obligation to get the work out there, you believe in it enough that it should be out in the public, but of course it goes through a system that takes it pretty far away from the reasons you made them.
If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.
I get a lot of invitations, and sometimes it's far away, it's in Montana or something. "We'd like you to come to our daughter's wedding." These are people I've never heard of. I get a lot that. "Will you come to my son's graduation?" No...I guess when you're in stuff, it's almost a feeling that they know you.
When I became conscious of being a person, when I was very small, I knew that I was from Indiana, but I had never seen Indiana. I was born there, but we moved when I was, like, a year old. I always had a sense of a place that was far away from where I was. I would research it and find out about it and I remember on Christmas morning I used to always call Indiana to find out what the weather was like; to see if it was snowing or not.
When I awake Yesterday is far away When I awake I don't recall your name, my only friend.
I felt like this is a story in 'Life', that does not go too far away from the feeling that something like this could really happen - it's part of what makes you connect and stay with the story. The feeling of "all is good and calm" in the beginning really sets you up for when things start to go "not so good..."
The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
The harder the circumstances under which you're making a movie, generally the better the friends you make. You're far away from home and so you're kind of lonely, and you end up all gravitating towards each other and the bar every night. It tends to be inversely proportionate to the comfort level on the movie, how close you become to everybody.
Some people love magic for the right reasons: They love to experience wonder. They don't want to know how it works. In this day and age, we know how everything works. We can Google anything and the answer is never really far away. Magic is a break from that where you get to enjoy mystery. And then there's the people who watch the trick but don't want to enjoy it because they want to figure it out and they feel like I'm challenging their intelligence, which I'm not doing. Those people are hell-bent on not enjoying magic and probably not enjoying their lives either.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
Even with the darkest and most distressing subjects in movies there's always going to be humour not far away, just under the surface. And it does help otherwise we'd just get ourselves into a massive trough of depression if there wasn't humour just around the corner.
I'm quite good at going away from home. I don't live with my parents or anything. But it is tough when you're so far away from everyone.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
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