People who share a muddled, careless, or deceitful attitude towards gathering evidence often find themselves drawn to eachother's fantasies. If you believe one wrong or strange thing, you are more likely to believe another.
I am after painting reality impressed on the mind so hard that it returns as a dream, but I am not after painting dreams as such, or fantasy.
Alice in Wonderland Syndrome. This is a mental illness. It is like looking through the wrong end of a pair of binoculars. It is as if you are living in a fantasy world of a fable. This is an interesting and sad syndrome. I’m sure that I have that syndrome. If it’s not it, then why the heck does my every moment with the ordinary girl feel like a fable?
Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to.
Imagine wasting all that perfectly good anger on paranoid fantasies. Not since Emily Litella got upset about "Soviet jewelry" has there been such a waste of anger. You will notice a certain theme to these Emily Litella Moments. Behind them all is a touching faith that someone, somewhere is actually in charge of what's happening - a proposition I beg leave to doubt.
Close your senses and the imagination comes alive. It's inside us all, dulled by endless television reruns and by a society that reins in fantasy as something not to be trusted, something to be purged. But it's in there, deep inside, a spark waiting to set a touch-paper alight.
Anything other than free enterprise always means a society of compulsion and lower living standards, and any form of socialism strictly enforced means dictatorship and the total state. That this statement is still widely disputed only illustrates the degree to which malignant fantasy can capture the imagination of intellectuals.
Your whole life is nothing but a dream. You live in a fantasy where everything you know about yourself is only true for you. Your truth is not the truth for anyone else.
Among the great struggles of man-good/evil, reason/unreason, etc.-there is also this mighty conflict between the fantasy of Home and the fantasy of Away, the dream of roots and the mirage of the journey.
When I write what publishers call 'fantasy' I am writing in what I think is the most important tradition of fiction: starting with Homer and up through Shakespeare and Milton, the most important themes to tackle are those of the mythopoeic domain, tales of the body and mind seen through a temperament and a cosmos divorced from current reality so what is said can be more clear.
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.
I usually do one con a year as a GoH and try to make the World Fantasy Convention for business purposes. Last year I went to a worldcon for the first time in two decades. I may go again this year.
Is this the real life? Is this just fantasy? Caught in a landslide, No escape from reality. Open your eyes, Look up to the skies and see, I'm just a poor boy, I need no sympathy, Because I'm easy come, easy go, Little high, little low, Any way the wind blows doesn't really matter to me, to me.
A thousand fantasies Begin to throng into my memory, Of calling shapes, and beckoning shadows dire, And airy tongues that syllable men's names On sands and shores and desert wildernesses
Do the impossible, because almost everyone has told me my ideas are merely fantasies.
TV is sometimes accused of encouraging fantasies. Its real problem, though, is that it encourages-enforces, almost-a brute realism. It is anti-Utopian in the extreme. We're discouraged from thinking that, except for a few new products, there might be a better way of doing things.
I'm not interested in living in a fantasy world ... All my work is still meant to evoke real architectural spaces. But what interests me is what the world would be like if we were free of conventional limits. Maybe I can show what could happen if we lived by a different set of rules.
The illusion of magic is an idealistic fantasy; it exists only in the imagination of the spectator.
In any case, do you really think kids even want something that is relevant to their daily lives? You think something practical like compound interest is going to get them excited? People enjoy fantasy, and that is just what mathematics can provide - a relief from daily life, an anodyne to the practical workaday world.
When you are far away from reality, your fantasy won't work.
Fantasy and anger totally destroy the human body. Tolerance is the greatest human asset.
We scientists have fantasies of being uniquely qualified to make great discoveries. Alas, reality is cruel: most of us are replaceable. For the vast majority of scientific contributions, if scientist X hadn't achieved it that year, scientist Y would have achieved the same result or something very similar soon thereafter.
On banks, I make no apology for attacking spivs and gamblers who did more harm to the British economy than Bob Crow could achieve in his wildest Trotskyite fantasies, while paying themselves outrageous bonuses underwritten by the taxpayer. There is much public anger about banks and it is well deserved.
"Dark Fantasy" was my long, backhanded apology. You know how people give a backhanded compliment? It was a backhanded apology. It was like, all these raps, all these sonic acrobatics. I was like: "Let me show you guys what I can do, and please accept me back. You want to have me on your shelves."
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