Of compelling consideration is the fact that words acquire scope and function from the history of events which they summarize.
In fact, Bill Clinton's an excellent example of what he should be doing when he realizes that he's not invulnerable. He realized two things: his invulnerability was contextualized in two things: junk food, and he had a problem with certain kinds of women.
When people live in the full light of an open society, paying their taxes, abiding by the rules, that makes not only our country safer and more secure because people are not relegated to living in the shadows and not creating underground economies, it also is better for wages because the fact that people are working on the books in the open means that there's greater demand for labor and you don't have this submarket.
I have a lot of respect for President Obama. I consider him a friend. I disagree with him on issues like the extension of tax breaks that Bush initiated. But I think history will judge a President Obama a lot better than many other contemporaries, given the fact that he came into office at a time when this country was in terrible, terrible shape.
If you've written it you know exactly; whoever you're playing if you've written it you already know it. As a matter of fact, you've already made the movie if you wrote it. You've made it in your head.
Intelligence officers are supposed to put the facts on the table and really walk away from the policy discussion.
If you've made a mistake, if you've made a blunder, admit it to yourself, and then go to the people affected by it and admit it to them, and tell them you're sorry. Full-heartedly and openly. The fact of the matter is, that people who do that make an enormous impression. It's the right thing to do. It's the moral thing to do.
There seems to be a contradiction in the fact that there's more music around and more channels or downloading music or more channels on TV, and yet at the same time, in some ways it doesn't seem to be as vital as it once was. It seems to be just another entertainment option or lifestyle enhancement aid or something.
When I was a student almost nobody thought there was any life beyond Earth. Today it's fashionable to say that there is life all over the place, that the universe is teeming with it, but the scientific facts on the ground haven't really changed.
The Sopranos was the first show about the life of the writer. I never made any secret about the fact that it was about my mother.
There were a lot of contradictions between Marcello's[ Mastroianni] public persona and who he was in private. The fact that Italy chose to incarnate him as a model of beauty stupefied him.
Nos are just as valuable as yeses in the game of life. In fact, they're essential.
I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?
The fact is most of the things that people know about me are made up. My own life is backstage. So what you "know" about me is only what I allowed you to know about me.
The contradiction is this: man rejects the world as it is, without accepting the necessity of escaping it. In fact, men cling to the world and by far the majority do not want to abandon it.
The kingdom of heaven will, in fact, appear on earth , but it will be ruled over by men a mere handful to begin with, who will be the Cassars, because they were the first to understand and later, with time, by all men.
I beg the reader not to go in search of messages. It is a term that I detest because it distresses me greatly, for it forces on me clothes that are not mine, which in fact belong to a human type that I distrust; the prophet, the soothsayer, the seer. I am none of these; I'm a normal man with a good memory who fell into a maelstrom and got out of it more by luck than by virtue, and who from that time on has preserved a certain curiosity about maelstroms large and small, metaphorical and actual.
The effort really to see and really to represent is no idle business in face of the constant force that makes for muddlement. The great thing is indeed that the muddled state too is one of the very sharpest of the realities, that it also has color and form and character, has often in fact a broad and rich comicality.
It was only after I had been out of the art school that I actually copied a small Seurat, and I copied it in order to follow his thought, because if you do copy an artist, and you have a close feeling for him, in fact that you need to know more about his work, there is no better way than actually to copy, because you get very close indeed to how somebody thinks.
I work on two levels. I occupy my conscious mind with things to do, lines to draw, movements to organize, rhythms to invent. In fact, I keep myself occupied. But that allows other things to happen which I'm not controlling... the more I exercise my conscious mind, the more open the other things may find that they can come through.
Starting with approaching the spot where the painting is to be done, meanwhile realising the emptiness of the mind, up to the method of 'the flying white', of the rule of the singular stroke of the brush.. ..there is a proper tradition in which the artist is fully aware of the fact that only the pure and empty spontaneity enables him to embrace without hesitating all apparitions and to truly penetrate into the roots of things.
No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art.
I buy art in order to live with it at home or in the office, never to store it away in a vault. In fact, living with art has been one of the great joys of my life. It is a private pleasure, however, and not one that I have an urge to inflict on other people.
Even more important than the discovery of Columbus, which we are gathered together to celebrate, is the fact that the general government has just discovered women.
Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.
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