Eliot Quotes - Page 2

• I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.

  Howard Nemerov

  Thinking, Innovation, Literature

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• Every poet gets to choose what kind of community he or she serves with the poems, and it's true that there is a community for very difficult, challenging poetry. It's a community that's established itself over the last 80 years, that was originally, in effect, really started by T. S. Eliot and Ezra Pound. They believed that poetry ought to contain learning, that it ought to rise upon all the learning that went before.

  Ted Kooser

  Community, Challenges, Kind

  Source: www.guernicamag.com

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• I began as a poet, moved to short fiction, then to novel writing, and, for the past twelve years, back to stories. I sometimes wonder if the pendulum will swing all the way back to where I began. As T.S. Eliot says, "In my end is my beginning," but for now I'm staying put, sitting tight, and loving the short story form way too much to leave it quite yet.

  Jack Driscoll

  Writing, Past, Sometimes

  Source: therumpus.net

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• [P]eople need to use their intelligence to evaluate what they find to be true and untrue in the Bible. This is how we need to live life generally. Everything we hear and see we need to evaluate—whether the inspiring writings of the Bible or the inspiring writings of Shakespeare, Dostoevsky, or George Eliot, of Ghandi, Desmond Tutu, or the Dalai Lama.

  Bart D. Ehrman

  Live Life, Writing, Needs

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• Creativity is contagious. And so is banality. Criticism is an art in itself. Don't let the dullness around destroy the creativity within. T.S. Eliot said, "honest criticism and sensitive appreciation is directed not upon the poet but upon the poetry." Good to remember.

  Elif Safak

  Appreciation, Art, Creativity

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• The sad fact is that I love Dickens and Donne and Keats and Eliot and Forster and Conrad and Fitzgerald and Kafka and Wilde and Orwell and Waugh and Marvell and Greene and Sterne and Shakespeare and Webster and Swift and Yeats and Joyce and Hardy, really, really love them. It’s just that they don’t love me back.

  David Nicholls

  Facts, Yeats, Wilde

  David Nicholls (2004). “A Question of Attraction: A Novel”, p.233, Villard

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• Everybody has their own idea of what's a poet. Robert Frost, President Johnson, T.S.Eliot, Rudolf Valentino - they're all poets. I like to think of myself as the one who carries the light bulb.

  Bob Dylan

  Thinking, Light, Ideas

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• I'm not a big Austen reader. I wouldn't say I dislike her, but if I had to choose between her and Eliot to bring to a desert island, it would definitely be Eliot.

  Elizabeth Gilbert

  Islands, Desert, Bigs

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• I unlearned the model of being an editor like Ezra Pound with T.S. Eliot, the unconscious belief that America was the center of the world, and that honesty meant saying what I thought and always being direct.

  Lynne Tillman

  Honesty, Editors, America

  Source: www.omnivoracious.com

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• Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings. Anaïs Nin I like not only to be loved, but also to be told I am loved. George Eliot Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star.

  e. e. cummings

  Strong, Stars, Betrayal

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• Both T.S. Eliot and I like to play, but I like to play euchre, while he likes to play Eucharist.

  Robert Frost

  Play, Likes, Eucharist

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• George Eliot has the heart of Sappho; but the face, with the long proboscis, the protruding teeth of the Apocalyptic horse, betrayed animality.

  George Meredith

  Horse, Heart, Long

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• I live a lonely photographic life here in Santa Fe. I do see Eliot Porter occasionally, and Ansel storms through every so often, otherwise I plug along in my old fashioned way.

  Laura Gilpin

  Lonely, Santa Fe, Storm

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• Writers in the nineteenth century - people like George Eliot and Flaubert - were accustomed to addressing particular communities with which they shared not only linguistic meanings but also an experience and history. Those communities have progressively split in the twentieth century, and grown more heterogeneous, and writers emerging from minority communities have found themselves addressing audiences closer to their experience and history - a phenomenon derided by conservative white men as identity politics and multiculturalism in the arts.

  Pankaj Mishra

  Art, Men, Identity Politics

  Source: www.guernicamag.com

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• So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.

  Philip Kitcher

  Fighting, Artist, Thinking

  Source: www.3ammagazine.com

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• There's a good deal in Pound's and Eliot's poetry that stood up even though their politics were deplorable. Or Pound's very deplorable, Eliot's kind of deplorable.

  Robert Hass

  Pounds, Kind, Stood Up

  Source: www.guernicamag.com

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• Insofar as I think about postmodernism at all, and it doesn't exactly keep me awake at nights, I think of it as something that happens to one, not a style one affects. We're postmoderns because we're not modernists. The modernist writers—Pound, Eliot, Joyce, Stevens, Yeats, Woolf, Williams—spoke with a kind of vatic authority: they were really the last of the Romantics, for whom authorship itself was like being a solitary prophet in the wasteland.

  Jonathan Raban

  Night, Thinking, Style

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• You see that in the news constantly; done both the right way and the wrong way. The most recent example I can think of, obviously, is Lance Armstrong, who got it all wrong. Who wanted to apologize strategically, instead of abjectly. What got me interested was the repetitive nature of it. There's something so ritualized about it. Then the ritual needs to be reenacted very carefully and pretty frequently - Tiger Woods, and now Manti Te'o and Lance Armstrong, and a little earlier Anthony Weiner or Eliot Spitzer.

  Jonathan Dee

  Thinking, Done, Apologizing

  Source: www.interviewmagazine.com

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• It is bizarre that some people can't understand how a serious poet could work at a finance firm. Goethe was a bureaucrat. Eliot worked as a banker.

  Katy Lederer

  People, Bankers, Serious

  "Portrait of the Artist as a Young Capitalist". Interview with Benjamin Samuel, www.gelfmagazine.com. January 19, 2009.

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• originality" is everyone's aim, and novel techniques are as much prized as new scientific discoveries. [T.S.] Eliot states it with surprising naïveté: "It is exactly as wasteful for a poet to do what has been done already as for a biologist to rediscover Mendel's discoveries.

  Randall Jarrell

  Discovery, Done, Technique

  "Kipling, Auden & Co: Essays and Reviews 1935-1964". Book by Randall Jarrell, "The End of the Line" (pp. 79 - 80), 1980.

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• Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.

  William Butler Yeats

  Pieces, Literature, Becoming

  William Butler Yeats (2017). “Ideas of Good and Evil”, p.79, Litres

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• Praise be to Nero's Neptune The Titanic sails at dawn And everybody's shouting "Which Side Are You On?" And Ezra Pound and T.S. Eliot Fighting in the captain's tower While calypso singers laugh at them And fishermen hold flowers.

  Bob Dylan

  Flower, Fighting, Sea

  'Desolation Row' (1965 song)

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• I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.

  Marguerite Young

  Joseph Smith

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• Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

  Rebecca Solnit

  Brother, Environmental, Looks

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• I wish always to be quoted as George Eliot.

  George Eliot

  Names, Wish

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