If Playboy ever loses its editorial balls, then it will deserve to be knocked over by a younger, more vigorous magazine in the coming generation. But that won't happen so long as I'm alive, I can promise you that.
I don't pay any attention to what the Baltimore Sun editorial page says about anything.
For many years I've been using Swarovski accessories when styling editorial photo shoots and also for red carpet appearances.
I don't give you editorial control. I want to meet you. I want to interview everybody who's ever known you. I want to see your correspondence. I want to see your bank statements. But you will have no control over what I write. That's why I really believe in the unauthorized biography.
I worked at my high school newspaper at Andover, which came out weekly, unusual for a high school paper. Then my first day at Penn I went right to the 'Daily Pennsylvanian' and pretty much spent most of my college career working both as the sports editor and then editor of the editorial page.
I don't understand how some of these young actresses are wearing such provocative, editorial items, when they haven't even established a career yet. It's hard to see past that. I'm not so sure that's smart in the long run.
For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.
I don't watch the nightly newscasts on TV . . . nor do I watch the endless hours of people giving their opinion about things. I don't read the editorial pages; I don't read the columnists. It can be a frustrating experience to pay attention to somebody's false opinion.
My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.
For the individual, as I can testify, a brief grounding in semantics, besides making philosophy unreadable, makes unreadable most political speeches, classical economic theory, after-dinner oratory, diplomatic notes, newspaper editorials, treatises on pedagogics and education, expert financial comment, dissertations on money and credit, accounts of debates, and Great Thoughts from Great Thinkers in general. You would be surprised at the amount of time this saves.
It's all about setting new goals. I reached one goal when I got the Sports Illustrated cover, which was such a surprise to me. Then after that I had a meeting with my agency who asked, "What do you want to do next?" I'd love to do more TV, I want to do more editorials, more high-fashion stuff. It's like picking it all and doing it.
You can teach taste, editorial sense, but the ability to say something funny is something I've never been able to teach anyone.
When you're free of editorial control, you owe it to yourself to obtain feedback from friends and readers. Some take those criticisms to heart and incorporate it into their work, and some ignore them.
I definitely take inspiration from runway trends but also throughout my travels, I see editorials all over in all of the different publications.
There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
It occurred to me that nothing is more interesting than opinion when opinion is interesting, so I devised a method of cleaning off the page opposite the editorial, which became the most important in America and thereon I decided to print opinions, ignoring facts.
Curators are great, but they're inherently biased. Curators are always making an editorial decision. Those biases have really big implications.
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