It's easy to get into habitual ways of drawing things and I'm as much guilty of this as anyone else - after all, it's part of what makes a recognisable personal style. But I always try and think a lot about each image beforehand, try and envisage the best way of approaching it.
It's always easy to get parts when you're a guy!
The whole importance of Iraq is that we have now created two things. One, Iraq is in the Arab heartland in terms of an attraction for people who want to fight the Americans and their allies. It's far greater than anything Afghanistan was aftertheSoviets invaded. It's easy to get to, there's no trouble with languages.
Old memories are very easy to get except that once you write about something you've destroyed it.
There's something about urban life - you walk out your door, and you're in a steady of stream of life happening around you, and it's very easy to get caught up in that stream and simply kind of keep on moving.
And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
Drugs are so easy to get in the ghetto. They might not be easy to get in nice areas like Beverly Hills, but in Long Beach and Compton and South Central they're easy to get.
The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting.
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