I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: Anthem, by Ayn Rand; 1984, by George Orwell; or Brave New World, by Aldous Huxley.
You won't be reading reviews of the dystopian sci-fi flick Aeon Flux in the papers today because it wasn't screened for the press-and, given that it cost the GDP of a small country and that Charlize Theron and the director, Karyn Kusama, are critics' darlings, this could mean but one thing: A stinker. A weapon of mass destruction. A planet-killer. Folks, I'll never understand studios. Aeon Flux is not that terrible.
I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.
People read vampire novels and say, Oh I want to read another vampire novel. People read fantasy, and theyre like, Oh I love fantasy. I dont know that people are necessarily finishing Hunger Games and immediately wanting to read another dystopian tale.
Science fiction also provides a sense of nostalgia that is always present when it comes to Palestine, in that whenever we talk about Palestine, it is never in the present, but either remembering a past or imagining a better future. Submitting gritty Middle Eastern politics to high production sci-fi in this manner not only underlines the absurdity of the situation, but brings about a dystopian future scenario.
Kids' literature now is dystopian, you know.
The copyright industry has managed to kill civil liberties for their own children, ushering in a dystopian surveillance machine, merely to avoid taking responsibility for their own business failures. I lack words to quantify my contempt for these utter parasites.
The way superheroes dominate the fictional landscape now, along with dystopian futures and zombies. Yeah, definitely - I think these stories function as a kind of mythology for us.
What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.
I came across an old story of mine that I'd written a decade ago. The main joke of the story is that a mother is telling her children about how she met their father online. The majority of memories the mother has all have to do with really funny links he sent her, a music download that she loved, etc. - and because of these superficial details she fell in love with the father. Reading it today, it's hardly a dystopian story; it's simply a realistic story about how people actually meet.
I assumed just from being around, all these years, that people would immediately glom on to, Well, it's a departure, and it's a dystopian kind of thing, and that's natural, of course. But it's surprised me - not even surprised me, but it's pleased me - how much people have been responding to the way the book was written.
When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.
I'm not really interested in the exploding car or endless sort of dystopian fantasies and superheroes. None of that... that doesn't interest me very much.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
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