There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it.
Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
If you intend to make a living at drawing, by all means learn it [the rules of perspective] now, and do not have them bothering you and your work for the rest of your life.
The average artist, if he chooses, could render an exact drawing of what he sees. Artistic work not only allows but demands some deviation from form and line. Just how far this may go depends on the viewpoint of each painter.
I love painting still lifes because there's a feeling of musical, flowing experience. The drawing doesn't matter as much - what you're really after is a feeling of clarity and beauty.
In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.
Drawing and masturbation were the first sacred experiences I remember.
The Sketchnote Handbook is neither about sketching nor is it about note taking. It's about receiving and processing the world in a more complete and insightful way. It's a software upgrade for your brain. For those who've been shamed into thinking that drawing is either beyond them or beneath them, this book offers a whole new way of mastering the daily onslaught of information and turning it into raw material for discovery. (For those of us who've done this all our lives, the book provides a beautifully conceived and lovingly illustrated treat, and a great gift for our left-brained friends.)
Mathematical reasoning may be regarded rather schematically as the exercise of a combination of two facilities, which we may call intuition and ingenuity. The activity of the intuition consists in making spontaneous judgements which are not the result of conscious trains of reasoning. The exercise of ingenuity in mathematics consists in aiding the intuition through suitable arrangements of propositions, and perhaps geometrical figures or drawings.
My daily affairs are quite ordinary; but I'm in total harmony with them. I don't hold on to anything, don't reject anything; nowhere an obstacle or conflict. Who cares about wealth and honor? Even the poorest thing shines. My miraculous power and spiritual activity: drawing water and carrying wood.
Travel opens different eyes to different things, shows things we've never seen before, shows the world from entirely different angles. That's the power of drawing and the power of travel. They both make the familiar unfamiliar and vice versa. They show what we all have in common and what we may have missed thanks to preconceptions that may have marred our vision.
See to whom Jesus is drawing near, three kinds of people: to those who make peace with him, to those who are devoted to God, and to those who are kind to their neighbors.
As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface.
I could not but smile to think in what out-of-the-way corners genius produces her bantlings! And the Muses, those capricious dames, who, forsooth, so often refuse to visit palaces, and deny a single smile to votaries in splendid studies, and gilded drawing-rooms--what holes and burrows will they frequent to lavish their favors on some ragged disciple!
Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
I don't use names or captions for my many portraits of politicians and authors for newspapers. The drawing has to be self-explanatory, so I spend a lot of time sketching to find an idea and an angle that is clear.
Well, it's always been my nature to take chances My right hand drawing back while my left hand advances
When I use a direct manipulation system whether for text editing, drawing pictures, or creating and playing games I do think of myself not as using a computer but as doing the particular task. The computer is, in effect, invisible. The point cannot be overstressed: make the computer system invisible.
As we grow old, we become aware that death is drawing near; his shadow falls across our path; the realities of life seem less crude than of yore, they touch our senses less intimately, and they lose much of their poignancy.
Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most "obvious," "accurate," and "natural" style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.
Alas! how many souls there are full of self, and yet desirous of doing good and serving God, but in such a way as to suit themselves; who desire to impose rules upon God as to His manner of drawing them to Himself. They want to serve and possess Him, but they are not willing to be possessed by Him.
To think out a problem is not unlike drawing a caricature. You have to exaggerate the salient point and leave out that which is not typical. "To illustrate a principle ," says Bagehot , "you must exaggerate much and you must omit much." As to the quantity of absolute truth in a thought : it seems to me the more comprehensive and unobjectionable a thought becomes, the more clumsy and unexciting it gets. I like half-truths of a certain kind they are interesting and they stimulate.
We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.
Low comedies are written for the drawing-room, the kitchen and the stable, and if you cut out the kitchen and the stable the drawing-room can't support the play by itself.
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