When I started drama school, theatre was the main draw. I never had any movie star notions. Not that there were family ties to the theatre, either.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I think that if youve got 5 million people that enjoy drama and invest in characters, you must take the time to not worry about your job and getting sacked and just go for it and hit it again.
I want to do action, romantic comedy, and I love drama.
You know how theres always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? Im not that girl. It takes a lot to get me to that place.
The reality of any location in Britain being used in a TV program of a film is that something bad is going to happen! That's the nature of drama. Most of the things that get made or basically grisly detective shows about murders, accidents or medical dramas.
A piercing satire, a poignant family drama and an investigation of the competing claims of honesty, loyalty, ambition and love.
Brilliant, hard-earned and honest. The erasures and reappearances of figure and ground-that hard drama-have rarely been so movingly undertaken. A heartbreakingly beautiful work.
It is remarkable how virtuous and generously disposed every one is at a play.
Sometimes, one gesture comprises an entire drama, the accent of one word ruins an entire existence, and the indifference of one glance kills the happiest passion.
God is the poet; men are but the actors. The great dramas of earth were written in heaven.
The drama is not a mere copy of nature, not a facsimile. It is the free running hand of genius, under the impression of its liveliest wit or most passionate impulses, a thousand times adorning or feeling all as it goes; and you must read it, as the healthy instinct of audiences almost always does, if the critics will let them alone, with a grain of allowance, and a tendency to go away with as much of it for use as is necessary, and the rest for the luxury of laughter, pity, or poetical admiration.
Among all the complaints you hear these days about the crimes of the media, it seems to me the critics miss the big one. It is that especially TV, but also we of the print press, tend to reduce mess and complexity and ambiguity to a simple story line that doesn't reflect reality so much as it distorts it. ... What bothers me about the journalistic tendency to reduce unmanageable reality to self-contained, movielike little dramas is not just that we falsify when we do this. It is also that we really miss the good story.
History is not a book, arbitrarily divided into chapters, or a drama chopped into separate acts; it has flowed forward. Rome is a continuity, called 'eternal.' What has accumulated in this place acts on everyone, day and night, like an extra climate.
... life is a comedy far darker than drama. It just takes time to learn what to smile at.
I found out that drama was a fascinating exercise as a way to get out of my self and into somebody else's head.
Domesticity is essentially drama, for drama is conflict, and the home compels conflict by its concentration of active personalities in a small area. The real objection to domesticity is that it is too exciting.
Nobody's really paying that much attention to your massive personal dramas.
Ireland is not at all a simple place, and in many ways it is spare and sad. It has no wealth, no power, no stability, no influence, no fashion, no size. Its only real arts are song and drama and poem. But Limerick alone has two thousand ruined castles and surely that many practicing poets.
Good drama should sandpaper the mind.
The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.
Our dreams of bringing the whole of human history under the control of the human will are ironically refuted by the fact that no group of idealists can easily move the pattern of history toward the desired goal of peace and justice. The recalcitrant forces in the historical drama have a power and persistence beyond our reckoning.
It takes great courage and personal strength to hold on to our center during times of great hurt. It takes wisdom to understand that our reactiveness only fans the flames of false drama.
I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.
To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.
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