My husband and I don't want Hollywood drama. I go to the market and do the dishes. I'm not treated differently because I work on TV.
The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.
My childhood has never lost its magic, it has never lost its mystery, and it has never lost its drama.
Drama often obscures the real issues
The functional freedom that anybody can buy a gun and go out and murder a lot of people at a McDonald's is prevalent, yes. But through the effects of TV and interactive video systems and so forth, we'll also have the freedom to pretend to be a mass murderer for the evening. I've seen descriptions of advanced TV systems in which a simulation of reality is computer controlledthe TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
My mother studied English and drama at the University of Pennsylvania, where my father studied architecture. She was a great influence in all sorts of ways, a wicked wit.
Man's deliberate destruction of his own habitat -- planet Earth -- could serve as a mighty theme for a mighty book worthy of a modern Melville or Tolstoy. But our best fictioneers confine themselves to domestic drama -- soap opera with literary trimmings.
I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.
Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.
I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.
So might we ourselves look down into some rock-pool where lowly creatures repeat with naive zest dramas learned by their ancestors æons ago.
Fiction—and poetry and drama— cleanse the doors of perception.
The great drama of Russian history has been between its state and society. Put simply, Russia has always had too much state and not enough society.
He who has never envied the vegetable has missed the human drama.
Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche.
Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.
Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.
These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.
Commit to growing yourself. Do not avoid problems and or complain about problems. Don't let them bother you. In fact, don't even call them problems; refer to them as "challenges" or "situations". Let go of the emotion and drama you create when you don't get what you want. Just stay present and handle one situation at a time with an open mind and an open heart. Trust yourself and in the universe that everything will work out in the end.
I've just made a cancer drama, called 'Now Is Good,' directed by Ol Parker and starring Dakota Fanning. We filmed in Brighton and it's about a girl dying of leukemia, although it's not as depressing as it sounds.
The cynical, caustic, acid-tongued New York drama critic Addison De Witt introduces his protege/date of the moment, a bimbo date and so-called actress named Miss Casswell (Marilyn Monroe) in another very famous line: "Miss Casswell is an actress, a graduate of the Copacabana School of Dramatic Art."
An age where you feel like you could love anyone, where you put everything on the line for the smallest of things. Eighteen. Adults say that it's an age where we laugh if a leaf tumbles by. But back then, we were more serious than any adult, more intense, and had our strength tested. 1997. That was how our eighteen was beginning.
You have to smile after making trouble. This way you get in less trouble.
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